What, from one perspective, is the utter humiliation and degradation of Jesus's body is on the other a coldly ruthless vision of the body liberated from the 'wisdom and limits of the organism'.

Masochristianity.

Christ's Example is simply this: it is better to die than to pass on abuse virus or to in any way vindicate the idiot vacuity and stupidity of the World of authority.

Power depends upon the weakness of the organism. When authority is seriously challenged, when its tolerance is tested to the limit, it has the ultimate recourse of torture. The slow, graphic scenes of mindless physical degradation in The Passion of the Christ are necessary for revealing the horrors to which Jesus' organism was subject. It is made clear that he could have escaped the excruciating agony simply by renouncing his Truth and by assenting to the Authority of the World. Christ's Example insists: better to let the organism be tortured to death ('If thine own eye offend thee, pluck it out') than to bow, bent-headed, to Authority.

This is what is perhaps most astonishing about Gibson's film. Far from being a statement of Catholic bigotry, it can only be read as an anti-authoritarian AND THEREFORE anti-Catholic film. For the Pharisees of two millennia ago, puffed up in their absurd finery, substitute the child-abuser apologists of today's gilt-laden, guilt-ridden Vatican. Against all the odds, against two thousand years of cover-ups and dissimulation, The Passion of the Christ recovers the original Christ, the anti-Wordly but not otherwordly Christ of Liberation Theology: the Gnostic herald of Apocalypse Now.