[...] The question becomes, then, who is permitted to feel? Whose feelings count? To borrow from Judith Butler, which bodies—indeed, which hearts—matter?5 Who do we choose to hear? In tacit response to these questions, O’Hagan grieves the jobs of Nicholas Paget-Brown and Rock Feilding-Mellen at least as deeply as he grieves the lives of those who perished—and those who survived, traumatised, to live and relive that night for as long as they live.