When we consider Richard Wright’s fictional and explicitly political work, three novels (Native Son, The Outsider, and “Island of Hallucination” this latter eventually published under the title American Hunger) and one collection of short stories (Uncle Tom’s Children) stand out. Together, these works both chronicle and interpret Wright’s experiences with American communism and political action. They also constitute studies of Marxism as a theory of history and social revolution, of the social and psychological development of the American working class, and of the historical and ideological development of American Blacks. Serious attention to these works should not be deflected by the form through which Wright sought to articulate his ideas. Indeed, it must be recognized that his works are uniquely suited to their tasks. Using this form, Wright could reconstruct and weight the extraordinary complexities and subtleties of radical politics as he and others had experienced it. His characters could live with and struggle through crises he had encountered. They could “test” the meanings and significances he had given to those experiences. His novels were consequently much more authentic documents than the conventional forms of history, biography, and political tract for they were constructed from lives with which he was intimate. In these novels, Wright could achieve his intention of weaving living consciousness into the impress of social theory and ideology.19