[...] The name of Parma, one of the towns that I most longed to visit after reading the Chartreuse, seeming to me compact, smooth, violet-tinted and soft, if anyone were to speak of such or such a house in Parma in which I should be lodged, he would give me the pleasure of thinking that I was to inhabit a dwelling that was compact, smooth, violet-tinted and soft, that bore no relation to the houses in any other town in Italy, since I could imagine it only by the aid of that heavy first syllable of the name of Parma, in which no breath of air stirs, and of all that I had made it assume of Stendhalian sweetness and the reflected hue of violets. And when I thought of Florence it was of a town miraculously scented and flower-like, since it was called the City of the Lilies, and its cathedral, Our Lady of the Flower. As for Balbec, it was one of those names in which, as on an old piece of Norman pottery that still keeps the colour of the earth from which it was fashioned, one sees depicted still the representation of some long-abolished custom, of some feudal right, of the former status of some locality, of an obsolete way of pronouncing the language which had shaped and wedded its incongruous syllables and which I never doubted that I should find spoken there even by the inn-keeper who would serve me coffee on my arrival, taking me down to watch the turbulent sea in front of the church, and to whom I would ascribe the disputatious, solemn and mediaeval aspect of some character in an old romance.