He had not read the story I knew already, the one he had described to me as a novel the first evening we met, a very clear, precise, and confident story about a man and a woman in their middle age who meet at the seaside where the woman is on vacation and the man works for a hotel, the setting vaguely European. It contained quiet, well-turned descriptions, including one about the effect of the sun on the woman’s pale legs, that I liked each time I read them. I liked so many parts of the story that the rest of it also seemed good. Now I wonder if I was drawn to him because he had the sort of mind that would want to write that sort of story, the sort that I liked already, or if he was drawn to me because I had the sort of mind that would like the sort of story he liked to write. A friend of mine, after reading the story, said he did not like it, because the characters, so very silent and distant with each other, yet so firmly tied by their wordless understanding, were not people he would want to know. I did not think about that, but only about how the story was written.