(noun) the use of more words than those necessary to denote mere sense (as in the man he said); redundancy
Wallace refers to the Irish philosopher George Berkeley, whom he describes as "[...] a world-class pleonast [...]"
the OED definition follows
Wallace refers to the Irish philosopher George Berkeley, whom he describes as "[...] a world-class pleonast [...]"
the OED definition follows
a discourse between two or more people holding different points of view about a subject but wishing to establish the truth through reasoned arguments
This dialectic is Hegelian insofar as its paramount ideal is freedom
American vs Canadian idealism in IJ
This dialectic is Hegelian insofar as its paramount ideal is freedom
American vs Canadian idealism in IJ
(linguistics) the omission of a sound or syllable when speaking OR the act or an instance of omitting something
a star must always elide questions concerning the political and social causes behind the lack of opportunity and infrastructural development in the so-called inner city
on "inner city youth" in mainstream contemporary American sports stories
a star must always elide questions concerning the political and social causes behind the lack of opportunity and infrastructural development in the so-called inner city
on "inner city youth" in mainstream contemporary American sports stories
difficult to control; unruly; irritable and quarrelsome
In Infinite Jest, however, the duality of the individual operates through a fractious dialectic.
In Infinite Jest, however, the duality of the individual operates through a fractious dialectic.
(verb) philosophy: to negate or eliminate (as an element in a dialectic process) but preserve as a partial element in a synthesis; assimilate (a smaller entity) into a larger one; used by Hegel
on the narrative level, the solipsistic interpretation of consciousness is entirely sublated here
on John Wayne's rant over the loudspeaker
on the narrative level, the solipsistic interpretation of consciousness is entirely sublated here
on John Wayne's rant over the loudspeaker
(adjective) suitable to be imparted to the public / (adjective) belonging to the outer or less initiate circle / (adjective) relating to the outside; external
always on the cusp of erupting into the exoteric environment
on consciousness, as represented by Wayne's rant in IJ
always on the cusp of erupting into the exoteric environment
on consciousness, as represented by Wayne's rant in IJ
(noun) ; a projecting beam or member supported at only one end / a bracket-shaped member supporting a balcony or a cornice / either of the two beams or trusses that project from piers toward each other and that when joined directly or by a suspended connecting member form a span of a cantilever bridge
Mario Incandenza's stance when braced against his cantilevered police lock
Mario Incandenza's stance when braced against his cantilevered police lock
a discourse between two or more people holding different points of view about a subject but wishing to establish the truth through reasoned arguments
fuses the game's dialectic of order and flux
on Hal's disposition in tennis in IJ
fuses the game's dialectic of order and flux
on Hal's disposition in tennis in IJ
a term coined by Espen J. Aarseth in his book Cybertext—Perspectives on Ergodic Literature, and is derived from the Greek words ergon, meaning "work", and hodos, meaning "path"; where nontrivial effort is required to allow the reader to traverse the text
as Espen Aarseth says of ergodic literature
as Espen Aarseth says of ergodic literature
imitation, especially imitative representation of the real world in art and literature
postmodern writing "turns out to be mimetic after all [...]"
quoting Brian McHale in Postmodernist Fiction
postmodern writing "turns out to be mimetic after all [...]"
quoting Brian McHale in Postmodernist Fiction