archive/dissertation

A key development that accompanies and enables proprietary systems is cloud computing, wherein each of the giants stores vast amounts of material on their battalions of servers. users do not need to have massive computer memories to store their own material; they can—indeed, must—access everything they have from a small device just by gaining access to the cloud. There are still “little guys” who offer hosting services, and that is a constructive activity. At the other end of the spectrum, though, the digital monopolists, including Google, Facebook, Amazon, Apple, and Microsoft, have all invested to build enormous private clouds. Cloud computing is a brilliant way to make the Internet more efficient and less expensive to users and society, but whether having the preponderance of cloud capacity in the hands of a few giant firms is a wise policy is another matter altogether. The clouds can be a treasure chest full of valuable data for the giants to exploit.

It was therefore a surprise when in 2000 one of the leading operaismo theorists, Antonio Negri, with co-author Michael Hardt, proposed a dramatic reinterpretation of social conflict in a digital era. Their Empire (2000) suggested that a fully global capital now confronted not so much a working class as a ‘multitude’ immersed in ‘immaterial labour’ involving the communicational and affective dimensions of networked production. Attuned to the excitement of the World Wide Web, open source software, and music piracy, and echoing the earlier work of Donna Haraway (1985), who had shaken feminist techno-pessimism by insisting on radical ‘cyborg’ potentials, Hardt and Negri, rather than emphasizing capital’s cybernetic domination, declared the possibility of its digital subversion and supersession.

“SiriusXM is incredibly profitable right now, but instead of sharing the profit with artists, they’re doing everything they can and hiring more lobbyists to pay artists less,” says Erickson, referring to SiriusXM’s recent efforts to combat the Music Modernization Act on Capitol Hill. “The idea that Spotify is going to become more profitable through diversifying its business, and then out of its generosity is going to start paying artists better, is also not consistent with what we’ve seen. We want all of these companies to do well, but ownership consolidation changes the incentives and it’s very difficult for a company not to start exercising that gatekeeper power in way that are disadvantageous to artists.”