nice character descriptions (fiction, memoir, journalism)
It took balls to do what he did because if he failed—and he had failed—he’d end up where he was. He hadn’t accomplished the things of which he’d dreamed, and now he couldn’t even get done the very basic things that most adults did—like pay his bills, for example (a most unpleasant form letter—and purple—was lying on his cluttered desk, somewhere, from Commonwealth Gas), or alphabetize his books. And when he tried, when he took the books off the shelves in order to put them back in alphabetical order, he became so discouraged at the impossibility of categorizing them properly that he just left them lying there, heaped upon the floor. He worked out a lot but he didn’t apply moisturizer to his skin at night, and he seldom flossed. And then there was the Google. . . . Whereas Katie, Katie was the sort of girl who, when she replied to e-mails, spliced her responses into segments, in which she answered specific points, which were set off from the margin by little arrows. This just wasn’t something Sam could do. He was always writing people back about other things.
And yet Katie seemed willing to sit there. Was she dumb?
Suck it is Danny’s favorite phrase, which he employs as a general greeting. Sometimes he inflects it as a question: Suck it? Directed at a female, it might often be appended: Suck it, sista. This is only for staff members, of course; our patrons will more likely get an egregiously enthusiastic What’s up, my brother? accompanied by a handshake/backslap combination. (If you’re one of his friends you might receive a more sincere What’s up, my fucking brother?) Egregious enthusiasm is Danny’s trademark—he can transmit his buzz and momentum to anyone at will. This is called charisma. His charisma—any charisma, I suppose—is entirely performance, yet in being never more nor less than a performer he somehow remains endearingly genuine. He might embrace a beautiful woman, kiss her on both cheeks, escort her to the bar—What do you like, sister, what do you want? Cosmo? Martini? Chardonnay? Tequila? Tongue kiss? That’s what I thought—Ethan, get my lover here a glass of Mer Soleil, thank you brother—Good to see you, love—and as soon as he spins around to answer your question mutter Dirty whore, suck it.
Almost every question must be brought to Danny, because it’s his restaurant. These people want a booth instead of a table, ask Danny. You want Friday off this week, ask Danny. The guy said his steak looked more medium than rare and he wants a different one, better check with Danny. Music’s too loud, lights are too low, the room’s too cold, tell Danny. You want to go to Silver City, ask Danny—he’s king there and she’ll fuck you for real in a back room at his word. You want tickets to the game or an eight o’clock reservation at Tei Tei, which doesn’t take eight o’clocks—Danny will work it out for you. You need a bump, ask Danny—but not until after service, he never starts till almost everybody’s out of the building.
But suddenly, there’s Macario and how many others rushing the podium. They pull out their banners: Save the I-Hotel! Fight the Eviction of Elderly Tenants! Shame on you, Simon Solomon!
At precisely 5:12 a.m. Macario speaks: Mayor Alioto and the people of San Francisco. The Great Earthquake destroyed our city. It destroyed all of Chinatown, but we Asian Americans labored to rebuild this great city. Now another kind of earthquake seeks again to destroy our communities and to replace our homes and neighborhoods with financial buildings and parking lots for the rich . . .
That’s the mayor’s Earthquake Party.
I admit. I’m surprised. Life takes that kind of turn. A clumsy kid who just listens suddenly gets some guts. Spits out the cork in his throat. Maybe Phil’s thunder in his chest makes its way out.
How many years Joe’s running the I-Hotel? Maybe not forever, and nobody knows how he starts. Gets the manager’s room with his private bath and all the keys, decides if there’s room for you at the inn, collects your money. For some, there’s always a room. For others, don’t bother. For Joe, it’s about loyalty and protection. You in his brotherhood, you stay there. Sometimes I think, who else could do this job but Joe? Think about the tramps and lowlifes coming through. Pimps and hustlers. Addicts and ex-cons. Joe might give you a slim chance, but he wants it respectable and quiet. He’s keeping the rooms for his brothers. Nobody breaks Joe’s rules. How many times I see Joe arriving at somebody’s door with his baseball bat. Guy might be naked. He’s got to run out the hotel or take his medicine. How many rules Joe’s got to break to keep this kind of peace?
Over the years, Joe’s rubbing shoulders with the guys who rise to the top. In case you forget, city’s a port. Tough guys rise from the dock to do the work of the people. Longshoremen with connections up and down the coast, up to organizing us Alaskeros. An injury to one is an injury to all. And just in case, he coaches boxing to every new generation. So when the I-Hotel gets threatened, he gets the ear of the mayor himself, old family friend. Probably taught this kid his jabs and hooks. Don’t let the mayor forget where he comes from.
The most striking of the three, but only because of his quality of charm, was Paul Blackenhurst. He was the young man I used in Frontiers of War for the character of 'gallant young pilot' full of enthusiasm and idealism. In fact he was without any sort of enthusiasm, but he gave the impression of it, because of his lively appreciation of any moral or social anomaly. His real coldness was hidden by charm, and a certain grace in everything he did. He was a tall youth, well-built, solid, yet alert and light in his movements. His face was round, his eyes very round and very blue, his skin extraordinarily white and clear, but lightly freckled over the bridge of a charming nose. He had a soft thick shock of hair always falling forward on his forehead. In the sunlight it was a full light gold, in the shade a warm golden brown. The very clear eyebrows were of the same soft glistening brightness. He confronted everyone he met with an intensely serious, politely enquiring, positively deferential bright-blue beam from his eyes, even stooping slightly in his attempt to convey his earnest appreciation. His voice, at first meeting, was a low charming deferential murmur. Very few failed to succumb to this delightful young man so full (though of course against his will) of the pathos of that uniform. It took most people a long time to discover that he was mocking them. I've seen women, and even men, when the meaning of one of his cruelly quiet drawling statements came home to them, go literally pale with the shock of it; and stare at him incredulous that such open-faced candour could go with such deliberate rudeness. [...]
I told Elena to cancel a meeting and an appointment. He spoke all morning, simply and clearly, about their relationship, about her arrest.
I am a defense attorney. I’m cynical. I am a material person, a greedy man. I told him I would take the case for nothing.
“No. Thank you,” he said. “Just please tell her that you’re doing it for no charge. But it’s my fault she got into this trouble and I want to pay for it. What will it be? Five thousand? More?”
“Two thousand,” I said.
“I know that’s too low. How about three?”
“Deal,” I said.
lol
[i like this because it shows that he knows how to read people but the reader has to be in on it]
Siobhán was positive Jess had met him at some party or other, their wedding at the very least. As if Jess would be able to recollect all three hundred people who’d attended Siobhán and Patrick’s wedding seventeen years ago, after an entire bottle of prosecco and a mishap with the shuttle bus. As if she ever talked to anyone at those parties other than the people she already knew. That was Malcolm’s thing. He was the host of their table. He was the host of the elevator that brought everyone to the top floor. He was the host of the line that snaked its way to the buffet, cracking jokes and pumping the hands of everyone he knew and hadn’t seen in ages. [...]
Jess used to say that he wasn’t himself until he had people around, until he had other moods and personalities to react to, and he resented when she said that, as if he were incapable of self-reflection, but now he sort of knew what she meant. It wasn’t that he disliked being alone, it was more like he felt muted, not completely awake. He held a bag of ground coffee, considered whether he could rig up a percolator on the stove if he found matches to light the pilot. And then, after standing there another minute, he heard the crunch of snow under tires, as if from his dreams.
He imagined barging in, finding Bratton, throwing him through his giant picture window. He didn’t give one shit if the guy’s kids watched him do it. He had twenty people who’d vouch for him, say he’d been on their couch playing Go Fish with their families all day. And Jess. What a liar, what a—But none of the usual words felt right. And it hadn’t felt good, even in his imagination. As soon as she opened Bratton’s front door and stepped outside, he felt most of the rage evaporate, and instead he felt hollow, tired, adrift. There was his girl. She was just standing in a different house.