The ‘Dark Continent’ of Film Noir: Race, Displacement and Metaphor in Tourneur’s Cat People (1942) and Welles’ The Lady from Shanghai (1948) | Bookmarker

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        Ann Kaplan, E. (1978). The ‘Dark Continent’ of Film Noir: Race, Displacement and Metaphor in Tourneur’s Cat People (1942) and Welles’ The Lady from Shanghai (1948). In ? (ed) Women in Film Noir. British Film Institute, pp. 183-201