the youthful fideist he had been

The great advantages of the interview are its manoeuvrability and range. Beginning, usually, in a conversation and resulting in a printed representation of that, its production process is more complex than this suggests, combining the greater spontaneity and pace of speech with the greater scope and control available to both parties in written revision and supplementation, where in fact much of the work of composition may occur. A singular form only in the minimal sense in which the novel can be said to be one, the interview accommodates a whole array of spoken and written varieties at both poles of the exchange (exposition and narrative, and elicitation, but also argumentative rallies, interjections, anecdotes, asides) and licenses elliptical transitions from one topic to another—jump-cutting—in relative freedom from the constraints of the standard article form. At other times, it may serve the purposes of what might have been an article, creating a monologic argument or narrative with a facilitating second voice, in effect. Some of the interviews reprinted here move at this end of the range, offering extended and methodical historical treatments of their material. But even in those cases, the differences are palpable. For the interview as conceived of here is among other things a kind of portraiture, or rather self-portraiture—and a mode in which, then, however discreetly, thought becomes thinking, something of its character as a process is reanimated, as concepts find their forms and effects in the grain of biographical sequences and historical construction is re-inflected in the lived interpretations of memoir. Even at its most austerely conceptual or political, and in so far as it goes beyond the merest formal simulation of spoken exchange, the interview takes on the distinctive colorations of autobiography and memoir. The temporal complexity of these interviews brings a further enrichment of meaning. Each, read alone, is straightforward enough: a specific mix of recollection, statement and expectation framed at a point in time. Read as a confluence of voices, in the order suggested here, their suggestions multiply, often movingly and not least ironically. Shared chronological time is criss-crossed by individual histories, one account varying from other accounts of the same thing, the anticipations of earlier generations sometimes coexisting awkwardly with the retrospects of the younger—and both now exposed, after a greater or lesser lapse of years, to readers who, for now, have the privilege of final retrospect. Impersonal cruces in politics and theory are not rendered less objective or less demanding in this process; the fact of ‘complexity’ is not an exemption from judgement, and the personal is not a solvent of public contradiction. But they are heard differently, echoing as moments in a collective historical experience.