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first-person narrator who committed a crime and now he's in some facility where he's been experimented on. there's a drug that mimics falling in love & another that makes you fall out of love. to confirm that it's working, the experimentors have a drug that mimics depression; that goes horribly wrong when one female subject kills herself. to prevent another female subject from doing the same, MC takes the depression drug (Darkenfloxx™) and kills himself. very Good Old Neon

Saunders, G. (2013). Escape from Spiderhead. In Saunders, G. Tenth of December. Random House, pp. 45-82

50

Afterward, our protestations of love poured forth simultaneously, linguistically complex and metaphorically rich: I daresay we had become poets. We were allowed to lie there, limbs intermingled, for nearly an hour. It was bliss. It was perfection. It was that impossible thing: happiness that does not wilt to reveal the thin shoots of some new desire rising from within it.

—p.50 by George Saunders 7 years, 4 months ago

Afterward, our protestations of love poured forth simultaneously, linguistically complex and metaphorically rich: I daresay we had become poets. We were allowed to lie there, limbs intermingled, for nearly an hour. It was bliss. It was perfection. It was that impossible thing: happiness that does not wilt to reveal the thin shoots of some new desire rising from within it.

—p.50 by George Saunders 7 years, 4 months ago
79

In the end, here’s how bad it got: I used a corner of the desk.

What’s death like?

You’re briefly unlimited.

I sailed right out through the roof.

And hovered above it, looking down. [...] killers all, all bad, I guess, although, in that instant, I saw it differently. At birth, they’d been charged by God with the responsibility of growing into total fuck-ups. Had they chosen this? Was it their fault, as they tumbled out of the womb? Had they aspired, covered in placental blood, to grow into harmers, dark forces, life-enders? In that first holy instant of breath/awareness (tiny hands clutching and unclutching), had it been their fondest hope to render (via gun, knife, or brick) some innocent family bereft? No; and yet their crooked destinies had lain dormant within them, seeds awaiting water and light to bring forth the most violent, life-poisoning flowers, said water/light actually being the requisite combination of neurological tendency and environmental activation that would transform them (transform us!) into earth’s offal, murderers, and foul us with the ultimate, unwashable transgression.

Wow, I thought, was there some Verbaluce™ in that drip or what?

But no.This was all me now.

—p.79 by George Saunders 7 years, 4 months ago

In the end, here’s how bad it got: I used a corner of the desk.

What’s death like?

You’re briefly unlimited.

I sailed right out through the roof.

And hovered above it, looking down. [...] killers all, all bad, I guess, although, in that instant, I saw it differently. At birth, they’d been charged by God with the responsibility of growing into total fuck-ups. Had they chosen this? Was it their fault, as they tumbled out of the womb? Had they aspired, covered in placental blood, to grow into harmers, dark forces, life-enders? In that first holy instant of breath/awareness (tiny hands clutching and unclutching), had it been their fondest hope to render (via gun, knife, or brick) some innocent family bereft? No; and yet their crooked destinies had lain dormant within them, seeds awaiting water and light to bring forth the most violent, life-poisoning flowers, said water/light actually being the requisite combination of neurological tendency and environmental activation that would transform them (transform us!) into earth’s offal, murderers, and foul us with the ultimate, unwashable transgression.

Wow, I thought, was there some Verbaluce™ in that drip or what?

But no.This was all me now.

—p.79 by George Saunders 7 years, 4 months ago