142
Library of the Ultravixens
Tama Janowitz; Mary Gaitskill; Catherine Texier
by
Elizabeth Young
Tama Janowitz; Mary Gaitskill; Catherine Texier
by Elizabeth Young
1
terms
1
notes
concupiscence
(en)
(noun) strong desire / (noun) sexual desire
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151
American Dad, published originally in 1981, was [...] chiefly remarkable for Janowitz's choice of a male narrator and protagonist. It is relatively rare for a woman writer to adopt the male voice [...] women become, in theoretical terms, bisexual and it is rare for them to go further and claim the male voice in its entirey [...] Janowitz does not use the male persona here to deliver any sarcastic feminist critique of men. Her portrayal [....] is a gentle and sympathetic on as if she had merely transposed many of her own adolescent memories -- as one does in a first novel -- into a male body without any particular reflection on the obsession with gender difference that had seized the rest of the Western world [...] it frees Janowitz from any of the constraints of representing a world newly imbued with feminism which would have been unavoidable with a female narrator. At the same time it allows her to usurp a very male tradition of American fiction [...]
American Dad, published originally in 1981, was [...] chiefly remarkable for Janowitz's choice of a male narrator and protagonist. It is relatively rare for a woman writer to adopt the male voice [...] women become, in theoretical terms, bisexual and it is rare for them to go further and claim the male voice in its entirey [...] Janowitz does not use the male persona here to deliver any sarcastic feminist critique of men. Her portrayal [....] is a gentle and sympathetic on as if she had merely transposed many of her own adolescent memories -- as one does in a first novel -- into a male body without any particular reflection on the obsession with gender difference that had seized the rest of the Western world [...] it frees Janowitz from any of the constraints of representing a world newly imbued with feminism which would have been unavoidable with a female narrator. At the same time it allows her to usurp a very male tradition of American fiction [...]