The reason that I had nothing to say was not that I was rude or bored (or any more rude than I was naturally at that time, or more bored than I had expected to be) but that I did not understand that I should ask questions—almost any questions at all, to draw a shy male into conversation, to shake him out of his abstraction and set him up as a man of a certain authority, therefore the man of the house. I did not understand why Alfrida looked at him with such a fiercely encouraging smile. All of my experience of a woman with men, of a woman listening to her man, hoping and hoping that he will establish himself as somebody she can reasonably be proud of, was in the future. The only observation I had made of couples was of my aunts and uncles and of my mother and father, and those husbands and wives seemed to have remote and formalized connections and no obvious dependence on each other.

But as a matter of fact there was still the exploding lamp, the mother in her charnel wrappings, the staunch, bereft child.

When I had walked for over an hour, I saw a drugstore that was open. I went in and had a cup of coffee. The coffee was reheated, black and bitter—its taste was medicinal, exactly what I needed. I was already feeling relieved, and now I began to feel happy. Such happiness, to be alone. To see the hot late-afternoon light on the sidewalk outside, the branches of a tree just out in leaf, throwing their skimpy shadows. To hear from the back of the shop the sounds of the ball game that the man who had served me was listening to on the radio. I did not think of the story I would make about Alfrida—not of that in particular—but of the work I wanted to do, which seemed more like grabbing something out of the air than constructing stories. The cries of the crowd came to me like big heartbeats, full of sorrows. Lovely formal-sounding waves, with their distant, almost inhuman assent and lamentation.

This was what I wanted, this was what I thought I had to pay attention to, this was how I wanted my life to be.