In patiently prolonged collision with the sea (to such an untropical degree of frankness that a concrete length of seawall is necessary to separate them), and then retreating up the hills, lies the Central American port of Tibieza de Dios. Shiploads of iron beds, houses of broken bannisters whose paint is unable to tell to the querulous eye of the foreigner (for no native would question) what was its original color, indeed has forgotten itself, the streetlights bare electric bulbs strung on wires, it has the transient air of a ragged carnival never dismantled. The population is largely black. It is governed by descendants of Spain who live on the central plateau, given work by an American fruit company whose white employees live between ten strands of barbed wire and the sea, and its modesty and sophistication are at once satisfied in acres of brilliant calico provided by the Tibieza Trading Company, a family of seventeen Chinese, all male, and all different shapes, whose veranda card game never ends.
amazing
In patiently prolonged collision with the sea (to such an untropical degree of frankness that a concrete length of seawall is necessary to separate them), and then retreating up the hills, lies the Central American port of Tibieza de Dios. Shiploads of iron beds, houses of broken bannisters whose paint is unable to tell to the querulous eye of the foreigner (for no native would question) what was its original color, indeed has forgotten itself, the streetlights bare electric bulbs strung on wires, it has the transient air of a ragged carnival never dismantled. The population is largely black. It is governed by descendants of Spain who live on the central plateau, given work by an American fruit company whose white employees live between ten strands of barbed wire and the sea, and its modesty and sophistication are at once satisfied in acres of brilliant calico provided by the Tibieza Trading Company, a family of seventeen Chinese, all male, and all different shapes, whose veranda card game never ends.
amazing
(adjective) of or relating to a meal
In the postprandial heat of midday no human inhabitants may be seen at all
ooh i like this
In the postprandial heat of midday no human inhabitants may be seen at all
ooh i like this
There was trouble in Tibieza. No one there wanted it. It came from the capital, up on the central plateau, where brisk weather encouraged that troubled intelligence necessary for revolution. It was all very well for them to run about the hills firing old Springfield ’06 rifles, ponderous brass French Hotchkiss machine-guns whose clips jammed after the first few explosions, heavy American water-cooled Brownings and delicate Italian Bredas: that stock of arms which has been floating about Hispanic America for decades, whereabouts totally unknown until necessity produces it with revolutionary magic in any one of the sister republics. All very well for the educated people up on the plateau to blow each other to bits, but for Tibieza . . . except that Tibieza de Dios, in fact its only reason for existence, was a port, and one of few. Therefore it must be taken. First, it was necessary to settle who held it. This was arranged one early morning, when three men suspected of belonging to the revolutionary party, and known to have participated in shady deals (an easily made and always justifiable charge) were shot over their morning coffee, in reprisal for removal of the local priest who had been found garishly made up with lipstick, and castrated, sitting on one of the petrified sponge-like rocks at the end of the seawall in an attitude of repose, with a hole in one side of his head where an ear had been, and out the other.
There was trouble in Tibieza. No one there wanted it. It came from the capital, up on the central plateau, where brisk weather encouraged that troubled intelligence necessary for revolution. It was all very well for them to run about the hills firing old Springfield ’06 rifles, ponderous brass French Hotchkiss machine-guns whose clips jammed after the first few explosions, heavy American water-cooled Brownings and delicate Italian Bredas: that stock of arms which has been floating about Hispanic America for decades, whereabouts totally unknown until necessity produces it with revolutionary magic in any one of the sister republics. All very well for the educated people up on the plateau to blow each other to bits, but for Tibieza . . . except that Tibieza de Dios, in fact its only reason for existence, was a port, and one of few. Therefore it must be taken. First, it was necessary to settle who held it. This was arranged one early morning, when three men suspected of belonging to the revolutionary party, and known to have participated in shady deals (an easily made and always justifiable charge) were shot over their morning coffee, in reprisal for removal of the local priest who had been found garishly made up with lipstick, and castrated, sitting on one of the petrified sponge-like rocks at the end of the seawall in an attitude of repose, with a hole in one side of his head where an ear had been, and out the other.
—I did. That’s where I got this. Morgie pointed to the tape above his eye. —No matter how much you talk to them, they don’t get it. It’s too simple. It’s too goddam simple for them to understand. They still think their cigarettes would cost them half as much without advertising. The whole goddam high standard of American life depends on the American economy. The whole goddam American economy depends on mass production. To sustain mass production you got to have a mass market. To sustain a goddam mass market you got to have advertising. That’s all there is to it. A product would drop out of sight overnight without advertising, I don’t care what it is, a book or a brand of soap, it would drop out of sight. We’ve had the goddam Ages of Faith, we’ve had the goddam Age of Reason. This is the Age of Publicity.
—I did. That’s where I got this. Morgie pointed to the tape above his eye. —No matter how much you talk to them, they don’t get it. It’s too simple. It’s too goddam simple for them to understand. They still think their cigarettes would cost them half as much without advertising. The whole goddam high standard of American life depends on the American economy. The whole goddam American economy depends on mass production. To sustain mass production you got to have a mass market. To sustain a goddam mass market you got to have advertising. That’s all there is to it. A product would drop out of sight overnight without advertising, I don’t care what it is, a book or a brand of soap, it would drop out of sight. We’ve had the goddam Ages of Faith, we’ve had the goddam Age of Reason. This is the Age of Publicity.
(adjective) delightful; joyous [humorous]
We will not tell, we will not tell, until one day they take it all and nail it frabjously upon another, and your betrayal will be another nail in the coffin of love.
We will not tell, we will not tell, until one day they take it all and nail it frabjously upon another, and your betrayal will be another nail in the coffin of love.
The mountains turned dark, their features flattening and their shapes ahead black and two-dimensional against a sky suffused with faint green: and suddenly the train burst out upon the open blue plateau, into a haze which still held the spent lust of the sun clinging over the barren plain of New Castile, where the train rushed forward into the approaching darkness, toward its destination, Madrid.
The mountains turned dark, their features flattening and their shapes ahead black and two-dimensional against a sky suffused with faint green: and suddenly the train burst out upon the open blue plateau, into a haze which still held the spent lust of the sun clinging over the barren plain of New Castile, where the train rushed forward into the approaching darkness, toward its destination, Madrid.
(adjective) marked by lack of definite plan, regularity, or purpose / (adjective) not connected with the main subject / (adjective) disappointing in progress, performance, or quality
the braying of burros and the desultory tinkling of bells
the braying of burros and the desultory tinkling of bells
(adjective) full of windings and intricate turnings; tortuous
infernal hands were responsible, working from anfractuous residencies far below to hinder them on their pious mission
infernal hands were responsible, working from anfractuous residencies far below to hinder them on their pious mission
Nevertheless, it was working out. Though Stanley, left alone below with his stack of palimpsests, and the clean scores onto which he was copying, made more mistakes than he had ever before, some of them maddening, copying the same bar twice; some strange, for here and there he found himself inserting grace notes which broke the admirably stern transitions, slipping in cadenzas which had nothing to do with anything, and, just this morning, writing in a throbbing bass which, as he realized when he stopped, was the steady vibration of the engines.
cute. reminds me of the english patient - 'the words "in love"'
Nevertheless, it was working out. Though Stanley, left alone below with his stack of palimpsests, and the clean scores onto which he was copying, made more mistakes than he had ever before, some of them maddening, copying the same bar twice; some strange, for here and there he found himself inserting grace notes which broke the admirably stern transitions, slipping in cadenzas which had nothing to do with anything, and, just this morning, writing in a throbbing bass which, as he realized when he stopped, was the steady vibration of the engines.
cute. reminds me of the english patient - 'the words "in love"'
(noun) a lapse in succession during which there is no person in whom a title is vested / (noun) temporary inactivity; suspension
fearing its confirmation of everything he imagined the darkness to hold in abeyance as he pulled a coat round him and shivered
fearing its confirmation of everything he imagined the darkness to hold in abeyance as he pulled a coat round him and shivered
(adjective) deficient in color; wan / (adjective) lacking sparkle or liveliness; dull
Day did not dawn. The night withdrew to expose it evenly pallid from one end to the other as a treated corpse
Day did not dawn. The night withdrew to expose it evenly pallid from one end to the other as a treated corpse
The old woman, who had delayed opening to him, explained it by saying that they had to be careful of beggars. Since she spoke in Spanish, which he could not understand, he acknowledged her greeting with a few words in English, mustering an expression somewhere, he believed, between humility and beatitude. Seeing what appeared to be signs of illness rise to his face, she hurried away, and returned with a young monk who had been plaguing him ever since.
lol. the last bit always gets it
The old woman, who had delayed opening to him, explained it by saying that they had to be careful of beggars. Since she spoke in Spanish, which he could not understand, he acknowledged her greeting with a few words in English, mustering an expression somewhere, he believed, between humility and beatitude. Seeing what appeared to be signs of illness rise to his face, she hurried away, and returned with a young monk who had been plaguing him ever since.
lol. the last bit always gets it
Fr. Eulalio was in his twenties, a fact which he never allowed to interfere with those exercises of gravity so necessary to his profession, which was not so much being a monk, as being a Spaniard. [...] Fr. Eulalio burst in carrying a large volume under one of the brown arms of his robe. The older man folded one hand over the other, assumed a somber air before what he gathered would be an exposition of the history of the monastery, or the Order, or some such, so carefully did the young monk handle it, and found himself gazing at the large pages of a private scrapbook. One after another, the breathless owner turned the pages, slowly enough that each might be thoroughly perused. They were all pictures of typewriters.
Fr. Eulalio was in his twenties, a fact which he never allowed to interfere with those exercises of gravity so necessary to his profession, which was not so much being a monk, as being a Spaniard. [...] Fr. Eulalio burst in carrying a large volume under one of the brown arms of his robe. The older man folded one hand over the other, assumed a somber air before what he gathered would be an exposition of the history of the monastery, or the Order, or some such, so carefully did the young monk handle it, and found himself gazing at the large pages of a private scrapbook. One after another, the breathless owner turned the pages, slowly enough that each might be thoroughly perused. They were all pictures of typewriters.
(adjective) extremely cold; icy
silenced by a sweet and gelid smile
thought it meant like horsey or something lol
silenced by a sweet and gelid smile
thought it meant like horsey or something lol
—Well of course, something . . . an experience of a spiritual nature . . . possibly. Stephen looked up at him blankly. —A need for spiritual . . . something more spiritual than typewriters, Ludy finished, and shifted his hams on his heels. He cleared his throat and lowered his eyes from the blank gaze. —And when he does get enthusiastic about something spiri . . . something about the place here, this Brother Elālio, it’s even worse, he went on petulantly. —You can’t explain to him that you don’t shout about beautiful things, you don’t try to . . . you know what I mean.
—You suffer them, Stephen said evenly, and the blade went right on, and the smoke rose against his face filling its hollows.
—Well of course, something . . . an experience of a spiritual nature . . . possibly. Stephen looked up at him blankly. —A need for spiritual . . . something more spiritual than typewriters, Ludy finished, and shifted his hams on his heels. He cleared his throat and lowered his eyes from the blank gaze. —And when he does get enthusiastic about something spiri . . . something about the place here, this Brother Elālio, it’s even worse, he went on petulantly. —You can’t explain to him that you don’t shout about beautiful things, you don’t try to . . . you know what I mean.
—You suffer them, Stephen said evenly, and the blade went right on, and the smoke rose against his face filling its hollows.
(adjective) full of danger or uncertainty; precarious
At this moment he even had his hands clasped, and for a parlous moment, stood stock still at the door.
At this moment he even had his hands clasped, and for a parlous moment, stood stock still at the door.
to bend the knee; to be humbly obedient or respectful
He had had faith, but he realized, looking down now on the drift of roofs below, broken in genuflection, from the facade pitted by five centuries
He had had faith, but he realized, looking down now on the drift of roofs below, broken in genuflection, from the facade pitted by five centuries
—After what he did, and he learned only through her suffering, Stephen brought out more loudly, —Now . . . If she comes to him carrying lilies that turn to fire? And the fire, what do you think it is? If that was the only way he could learn? So now do you see why he sends me on? If somewhere I’ve . . . done the same thing? And something’s come out of it, something . . . like . . . he has. While I’ve been crowding the work alone. To end there, or almost end running up to the doors there, to pound on the doors of the church, do you see why he sent me on? Look back, if once you’re started in living, you’re born into sin, then? And how do you atone? By locking yourself up in remorse for what you might have done? Or by living it through. By locking yourself up in remorse with what you know you have done? Or by going back and living it through. By locking yourself up with your work, until it becomes a gessoed surface, all prepared, clean and smooth as ivory? Or by living it through. By drawing lines in your mind? Or by living it through. If it was sin from the start, and possible all the time, to know it’s possible and avoid it? Or by living it through. I used to wonder, how Christ could really have been tempted, if He was sinless, and rejected the first, and the second, and the third temptation, how was He tempted? . . . how did He know what it was, the way we do, to be tempted? No, He was Christ. But for us, with it there from the start, and possible all the time, to go on knowing it’s possible and pretend to avoid it? Or . . . or to have lived it through, and live it through, and deliberately go on living it through.
—After what he did, and he learned only through her suffering, Stephen brought out more loudly, —Now . . . If she comes to him carrying lilies that turn to fire? And the fire, what do you think it is? If that was the only way he could learn? So now do you see why he sends me on? If somewhere I’ve . . . done the same thing? And something’s come out of it, something . . . like . . . he has. While I’ve been crowding the work alone. To end there, or almost end running up to the doors there, to pound on the doors of the church, do you see why he sent me on? Look back, if once you’re started in living, you’re born into sin, then? And how do you atone? By locking yourself up in remorse for what you might have done? Or by living it through. By locking yourself up in remorse with what you know you have done? Or by going back and living it through. By locking yourself up with your work, until it becomes a gessoed surface, all prepared, clean and smooth as ivory? Or by living it through. By drawing lines in your mind? Or by living it through. If it was sin from the start, and possible all the time, to know it’s possible and avoid it? Or by living it through. I used to wonder, how Christ could really have been tempted, if He was sinless, and rejected the first, and the second, and the third temptation, how was He tempted? . . . how did He know what it was, the way we do, to be tempted? No, He was Christ. But for us, with it there from the start, and possible all the time, to go on knowing it’s possible and pretend to avoid it? Or . . . or to have lived it through, and live it through, and deliberately go on living it through.
But he had already paused to make his notation, “What mean?” before he saw it, when it fluttered across the room to the other picture, and though he tried frantically to chase it toward the front, toward the windows and out, it fluttered the more frantically from one picture to the other, and back across the room and back, as he passed the mirror himself in both directions, where he might have glimpsed the face of a man having, or about to have, or at the very least valiantly fighting off, a religious experience.
But he had already paused to make his notation, “What mean?” before he saw it, when it fluttered across the room to the other picture, and though he tried frantically to chase it toward the front, toward the windows and out, it fluttered the more frantically from one picture to the other, and back across the room and back, as he passed the mirror himself in both directions, where he might have glimpsed the face of a man having, or about to have, or at the very least valiantly fighting off, a religious experience.
—And then he told me he spent two days in bed with this real high-class whore he picked up in the Café de la Paix, after he told her he couldn’t pay in francs, all he had was dollars, and he flashes this roll of tens and twenties and fifties, so she paid all the bills at the George Sank and gave him a terrific time for a couple of days and then rolled him, he said he’d like to see her trying to change Confederate States money in the Banque de France. What’s this, a review of his book?
—And then he told me he spent two days in bed with this real high-class whore he picked up in the Café de la Paix, after he told her he couldn’t pay in francs, all he had was dollars, and he flashes this roll of tens and twenties and fifties, so she paid all the bills at the George Sank and gave him a terrific time for a couple of days and then rolled him, he said he’d like to see her trying to change Confederate States money in the Banque de France. What’s this, a review of his book?
When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil’s interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement.
He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played.
ahh!!!
When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil’s interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement.
He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played.
ahh!!!