[...] The usual Left-liberal critique of the EU--it's basically OK, just with something of a 'democratic deficit'--betrays the same naivety as the critics of ex-Communist countries who basically supported them while complaining about the lack of democracy. In both cases, however, these friendly critics failed to realize that the 'democratic deficit' was a necessary, inbuilt part of the structure.
[...] The usual Left-liberal critique of the EU--it's basically OK, just with something of a 'democratic deficit'--betrays the same naivety as the critics of ex-Communist countries who basically supported them while complaining about the lack of democracy. In both cases, however, these friendly critics failed to realize that the 'democratic deficit' was a necessary, inbuilt part of the structure.
[...] what happens to democracy when the majority is inclined to vote for, say, racist and sexist laws? I am not afraid to draw the conclusion that emancipatory politics should not be bound a priori by formal-democratic procedures of legitimization. No, people quite often do not know what they want, or do not want what they know, or they simply want the wrong thing. There is no short-cut here.
[...] what happens to democracy when the majority is inclined to vote for, say, racist and sexist laws? I am not afraid to draw the conclusion that emancipatory politics should not be bound a priori by formal-democratic procedures of legitimization. No, people quite often do not know what they want, or do not want what they know, or they simply want the wrong thing. There is no short-cut here.
[...] culture is no longer just an exception, a kind of fragile superstructure rising above the 'real' economic infrastructure, but, more and more, a central ingredient of our mainstream 'real' economy. More than a decade ago, Jeremy Rifkin designated this new stage in our economy 'cultural capitalism'. The defining feature of 'postmodern' capitalism is the direct commodification of our experience itself. Less and less are we buying products (material objects) that we want to own; increasingly, we buy life experiences, experiences of sex, eating, communicating, cultural consumption. In doing so, we are participating in a lifestyle--or, as Mark Slouka puts it succinctly, 'we become the consumers of our own lives'. [...]
[...] culture is no longer just an exception, a kind of fragile superstructure rising above the 'real' economic infrastructure, but, more and more, a central ingredient of our mainstream 'real' economy. More than a decade ago, Jeremy Rifkin designated this new stage in our economy 'cultural capitalism'. The defining feature of 'postmodern' capitalism is the direct commodification of our experience itself. Less and less are we buying products (material objects) that we want to own; increasingly, we buy life experiences, experiences of sex, eating, communicating, cultural consumption. In doing so, we are participating in a lifestyle--or, as Mark Slouka puts it succinctly, 'we become the consumers of our own lives'. [...]