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“Do you think you could improve your attitude about this whole thing? You might try being a little more positive.”

Coming from him, this question was preposterous. He must be so pathologically insecure that his perception of his own behavior was thoroughly distorted. He saw rejection everywhere, she decided; she must reassure him. “But I do feel positive about being here,” she said. She paused, searching for the best way to express the extremity of her positive feelings. She invisibly implored him to see and mount their blue puffball bed. “It would be impossible for you to disappoint me. The whole idea of you makes me happy. Anything you do will be all right.”

Her generosity unnerved him. He wondered if she realized what she was saying. “Does anybody know you’re here?” he asked. “Did you tell anyone where you were going?”

not good

—p.40 A Romantic Weekend (31) by Mary Gaitskill 3 years, 5 months ago

[...] He realized what had been disturbing him about her. With other women whom he had been with in similar situations, he had experienced a relaxing sense of emptiness within them that had made it easy for him to get inside them and, once there, smear himself all over their innermost territory until it was no longer theirs but his. His wife did not have this empty quality, yet the gracious way in which she emptied herself for him made her submission, as far as it went, all the more poignant. This exasperating girl, on the other hand, contained a tangible somethingness that she not only refused to expunge, but that seemed to willfully expand itself so that he banged into it with every attempt to invade her. He didn’t mind the somethingness; he rather liked it, in fact, and had looked forward to seeing it demolished. But she refused to let him do it. Why had she told him she was a masochist? He looked at her body. Her limbs were muscular and alert. He considered taking her by the neck and bashing her head against the floor.

—p.41 A Romantic Weekend (31) by Mary Gaitskill 3 years, 5 months ago

His voice was high-pitched and stupidly aggressive, like some weird kid who would walk up to you on the street and offer to take care of your sexual needs. How, she thought miserably, could she have mistaken this hostile moron for the dark, brooding hero who would crush her like an insect and then talk about life and art?

—p.47 A Romantic Weekend (31) by Mary Gaitskill 3 years, 5 months ago

She was too exhausted to extract much from the pedestrian conversation, but the sound of his voice, the position of his body and his sudden receptivity were intoxicating. Time took on a grainy, dreamy aspect that made impossible conversations and unlikely gestures feasible, like a space capsule that enables its inhabitants to happily walk up the wall. The peculiar little car became a warm, humming cocoon, like a miniature house she had, as a little girl, assembled out of odds and ends for invented characters. She felt as if she were a very young child, when every notion that appeared in her head was new and naked of association and thus needed to be expressed carefully so it didn’t become malformed. She wanted to set every one of them before him in a row, as she had once presented crayon drawings to her father in a neat many-colored sequence. Then he would shift his posture slightly or make a gesture that suddenly made him seem so helpless and frail that she longed to protect him and cosset him away, like a delicate pet in a matchbox filled with cotton. She rested her head on his shoulder and lovingly regarded the legs that bent at the knee and tapered to the booted feet resting on the brakes or the accelerator. This was as good as her original fantasy, possibly even better.

—p.51 A Romantic Weekend (31) by Mary Gaitskill 3 years, 5 months ago

“I love you,” said Sara.

“It’s not real,” he said. “It’s puppy love.”

“No. I love you.” She nuzzled his cheek with her nose and lips, and her tenderness pierced him.

The image became tiny and unnaturally white, was surrounded by darkness, then faded like the picture on a turned-off TV.

Come back.

interesting - the last line is in the paperback version but not the ebook version [newer?]

—p.84 An Affair, Edited (74) by Mary Gaitskill 3 years, 5 months ago

Susan was thirty-five years old, and Leisha thirty-four. When they were friends, Susan was an aspiring writer and Leisha an actress. Whenever she had a positive image of Leisha—a rarity during these last six years—she saw them together in Leisha’s apartment drinking tea, drinking wine, snorting coke, something, and talking about their careers. Leisha had loved the word “career.” “I think it’s going to happen for you really first,” she’d say. “Like boom, your career’s just going to skyrocket—I mean it.”

It hadn’t. Susan had spent most of her New York years typing, proofreading or coat-checking, selling an article maybe twice a year. Little by little she had given up trying to make it as a writer and had taken an entry-level position with a journal that she didn’t think much of. Her editorial career didn’t exactly skyrocket, but it puttered along nicely. In Chicago, where she lived now, she edited a pretentious TV magazine and occasionally wrote film reviews for a local entertainment guide that paid almost nothing but gave her a chance to pontificate about aesthetics. When she thought about the magazine, she despised it and considered herself a failure; when she didn’t think about it, she would catch herself enjoying the work and decide that it was where she belonged.

—p.88 Connection (85) by Mary Gaitskill 3 years, 5 months ago

Her life in New York had been erratic and unconnected. She had lived hand to mouth most of the time, working a series of menial jobs that made her feel isolated and unseen, yet strangely safe. She ate dinners of rice and beans or boxes of Chinese takeout food on the floor. She stayed up until seven or eight in the morning working on her manuscripts, and then slept all day. She went to Harlem to interview voodoo practitioners. She went to nightclubs and after-hours bars, standing on the periphery of scene after scene with Leisha or some other, less central girlfriend. She took long walks late at night, especially in winter, loving the sound of her own muted footfalls, the slush-clogged city noises, and the sight of the bundled, shuffling drunks staggering home, looking up in surprise to see a young woman walking alone at 4:00 A.M. The desolation and cruelty of the city winter horrified and fascinated her. She was astonished by the contrasting layers of existence sitting so closely atop one another, and the desperate survival of bag people and misfits wedged into the comfortless air pockets and crawl spaces between layers. During her first year in the city she gave spare change to anyone who asked her. Eventually she gave money only if she happened to have some in her hand when she was asked.

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—p.93 Connection (85) by Mary Gaitskill 3 years, 5 months ago

It was like nursery rhymes; they were two cute girls walking down the street talking harmless nonsense, while all around them the world was in full operation. Desperate vendors displayed miserable items arranged on dirty blankets—T-shirts, ratty sweaters and vinyl belts, wrinkled old magazines, faded books and records. Garbage flapped in the streets and humans walked up and down the sidewalks, on their way to perform hundreds of actions in a remarkably orderly fashion. The sun was evenly warm and pleasant and it seemed as though this was all that anyone could expect out of life. Susan felt an ache of futile tenderness for Leisha and she impulsively reached out and stroked her four serial earrings the way she would pet a cat.

—p.98 Connection (85) by Mary Gaitskill 3 years, 5 months ago

Susan turned over again. Still, she wished she knew where Leisha was. She would like to talk to her. She remembered the time they had gone dancing one summer. They had danced for hours in a hot, damp place, until they collapsed in each other’s arms, Leisha’s small, sweating, palpitating chest pressed against hers. She remembered having the almost tangible sensation that they were creatures with delicate invisible feelers waving between them, sending tenderness and warmth from one to the other.

—p.103 Connection (85) by Mary Gaitskill 3 years, 5 months ago

Of course, she realized what he liked about her. He loved the idea of kooky, arty girls who lives “bohemian” lives and broke all the rules. It was the kind of thing he regarded with a certain admiration, but did not want to do himself. He had probably had affairs with eccentric, unpredictable women in college, and then married the most stable, socially desirable woman he could find. This did not make her feel contempt or draw away from him. She liked this vicarious view of herself; it excited and reassured her. She wasn’t a directionless girl adrift in a monstrous city, wandering from one confusing social situation to the next, having stupid affairs. She was a bohemian, experimenting. The idea made rock music start playing in her head. She kissed him with something resembling passion.

—p.114 Trying to Be (105) by Mary Gaitskill 3 years, 5 months ago