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“Munich,” said the woman. “Land of Oktoberfest.” She dug into her food in an exasperated way then turned back toward Adrienne to smile a little formally. “I grew up watching all these grown people in green felt throwing up in the street.”

Adrienne smiled back. This was how she would learn about the world, in sentences at meals; other people’s distillations amidst her own vague pain, dumb with itself. This, for her, would be knowledge—a shifting to hear, an emptying of her arms, other people’s experiences walking through the bare rooms of her brain, looking for a place to sit.

—p.9 Terrific Mother (3) by Lorrie Moore 2 years, 6 months ago

“He was a beautiful child, didn’t you think?” In bed Martin held her until he rolled away, clasped her hand and fell asleep. At least there was that: a husband sleeping next to a wife, a nice husband sleeping close. It meant something to her. She could see how through the years it would gather power, its socially sanctioned animal comfort, its night life a dreamy dance about love. She lay awake and remembered when her father had at last grown so senile and ill that her mother could no longer sleep in the same bed with him—the mess, the smell—and had had to move him, diapered and rank, to the guest room next door. Her mother had cried, to say this farewell to a husband. To at last lose him like this, banished and set aside like a dead man, never to sleep with him again: she had wept like a baby. His actual death she took less hard. At the funeral she was grim and dry and invited everyone over for a quiet, elegant tea. By the time two years had passed, and she herself was diagnosed with cancer, her sense of humor had returned a little. “The silent killer,” she would say, with a wink. “The silent killer.” She got a kick out of repeating it, though no one knew what to say in response, and at the very end she kept clutching the nurses’ hems to ask, “Why is no one visiting me?” No one lived that close, explained Adrienne. No one lived that close to anyone.

—p.12 Terrific Mother (3) by Lorrie Moore 2 years, 6 months ago

The geologist smirked a little at the risotto, waiting for Adrienne to say something more, but she was now watching Martin at the other table. He was sitting next to the sociologist she’d sat next to the previous night, and as Adrienne watched she saw Martin glance, in a sickened way, from the sociologist, back to his plate, then back to the sociologist. “The cook?” he said loudly, then dropped his fork and pushed his chair from the table.

The sociologist was frowning. “You flunk,” she said.

nice

—p.13 Terrific Mother (3) by Lorrie Moore 2 years, 6 months ago

Ilke began to massage sandalwood oil into Adrienne’s arms, pressing down, polishing, ironing, looking, at a quick glimpse, like one of Degas’s laundresses. Adrienne shut her eyes again and listened to the music, which had switched from synthetic lullabies to the contrapuntal sounds of a flute and a thunderstorm. With these hands upon her, she felt a little forgiven and began to think generally of forgiveness, how much of it was required in life: to forgive everyone, yourself, the people you loved, and then wait to be forgiven by them. Where was all this forgiveness supposed to come from? Where was this great inexhaustible supply?

—p.17 Terrific Mother (3) by Lorrie Moore 2 years, 6 months ago

Adrienne breathed deeply, in and out. “I killed a baby,” she whispered.

“Yes, we have all killed a baby—there is a baby in all of us. That is why people come to me, to be reunited with it.”

“No, I’ve killed a real one.”

Ilke was very quiet and then she said, “You can do the side-lying now. You can put this pillow under your head; this other one between your knees.” Adrienne rolled awkwardly onto her side. Finally Ilke said, “This country, its pope, its church, makes murderers of women. You must not let it do that to you. Move back toward me. That’s it.”

That’s not it, thought Adrienne, in this temporary dissolve, seeing death and birth, seeing the beginning and then the end, how they were the same quiet black, same nothing ever after: everyone’s life appeared in the world like a movie in a room. First dark, then light, then dark again. But it was all staggered so that somewhere there was always light.

That’s not it. That’s not it, she thought. But thank you.

—p.20 Terrific Mother (3) by Lorrie Moore 2 years, 6 months ago

“You bought the Spearsons a new picnic bench?”

“Yes, I did.”

She thought about this. “Didn’t they think you were being hostile?”

“Oh … I think, yes, they probably thought it was hostile.”

so funny

—p.30 Terrific Mother (3) by Lorrie Moore 2 years, 6 months ago

“We are with each other now,” Martin was saying. “And in the different ways it means, we must try to make a life.”

Out over the Sfondrata chapel tower, where the fog had broken, she thought she saw a single star, like the distant nose of a jet; there were people in the clayey clouds. She turned, and for a moment it seemed they were all there in Martin’s eyes, all the absolving dead in residence in his face, the angel of the dead baby shining like a blazing creature, and she went to him, to protect and encircle him, seeking the heart’s best trick, oh, terrific heart. “Please, forgive me,” she said.

And he whispered, “Of course. It is the only thing. Of course.”

—p.31 Terrific Mother (3) by Lorrie Moore 2 years, 6 months ago

You came one day and
as usual in such matters
significance filled everything—
your eyes, the things you
knew, the way you turned,
leaned, stood, or sat,
this way or that: when
you left, the area around here rose
a tilted tide, and everything that
offers desolation drained away.

—p.183 Everything (183) missing author 2 years, 6 months ago

The bald girl is emblematic of the problem. What the problem is is that for some reason you think you are going to meet the kind of girl who is not the kind of girl who would be at a place like this at this time of the morning. When you meet her you are going to tell her that what you really want is a house in the country with a garden. New York, the club scene, bald women—you’re tired of all that. Your presence here is only a matter of conducting an experiment in limits, reminding yourself of what you aren’t. You see yourself as the kind of guy who wakes up early on Sunday morning and steps out to pick up the Times and croissants. You take a cue from the Arts and Leisure section and decide to check out some exhibition—costumes of the Hapsburg Court at the Met, say, or Japanese lacquerware of the Muromachi period at the Asia Society. Maybe you will call that woman you met at the publishing party Friday night, the party you did not get sloppy drunk at, the woman who is an editor at a famous publishing house even though she looks like a fashion model. See if she wants to check out the exhibition and maybe do an early dinner. You will wait until eleven A.M. to call her, because she may not be an early riser, like you. She may have been out a little late, at a nightclub, say. It occurs to you that there is time for a couple of sets of tennis before the museum. You wonder if she plays, but then, of course she would.

When you meet the girl who wouldn’t et cetera, you will tell her that you are slumming, visiting your own six A.M. Lower East Side of the soul on a lark, stepping nimbly between the piles of garbage to the marimba rhythms in your head.

On the other hand, any beautiful girl, specifically one with a full head of hair, would help you stave off this creeping sense of mortality. You remember the Bolivian Marching Powder and realize you’re not down yet. First you have to get rid of this bald girl because she is doing bad things to your mood.

—p.286 It’s Six A.M., Do You Know Where You Are? (285) by Jay McInerney 2 years, 6 months ago

You remember another Sunday morning in your old apartment on Cornelia Street when you woke to the smell of bread from the bakery downstairs. There was the smell of bread every morning, but this is the one you remember. You turned to see your wife sleeping beside you. Her mouth was open and her hair fell down across the pillow to your shoulder. The tanned skin of her shoulder was the color of bread fresh from the oven. Slowly, and with a growing sense of exhilaration, you remembered who you were. You were the boy and she was the girl, your college sweetheart. You weren’t famous yet, but you had the rent covered, you had your favorite restaurant where the waitresses knew your name and you could bring your own bottle of wine. It all seemed to be just the way you had pictured it when you had discussed plans for marriage and New York. The apartment with the pressed tin ceiling, the claw-footed bath, the windows that didn’t quite fit the frame. It seemed almost as if you had wished for that very place. You leaned against your wife’s shoulder. Later you would get up quietly, taking care not to wake her, and go downstairs for croissants and the Sunday Times, but for a long time you lay there breathing in the mingled scents of bread, hair and skin. You were in no hurry to get up. You knew it was a moment you wanted to savor. You didn’t know how soon it would be over, that within a year she would go back to Michigan to file for divorce.

—p.290 It’s Six A.M., Do You Know Where You Are? (285) by Jay McInerney 2 years, 6 months ago