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Unsurprisingly, O’Reilly believes that tech firms, particularly those led by people he knows personally, are in the best position to push society forward. [...]

lmao love it

Why is anyone listening to Tim O’Reilly? by Molly Sauter 8 years, 3 months ago

[...] His comment is, independent contractors are what makes the wheels on the Uber go ‘round, so it’s fine. He rips into big retail companies later for using tricky scheduling algorithms to keep workers on benefits-less part-time status and goes after Walmart for relying on the welfare system to subsidize its poverty level wages. He doesn’t realize that these companies originated the playbook Uber adapted: selling a model of precarious labor based on on-demand piece-work, masked with the prestige of being a “flexible independent contractor.”

Why is anyone listening to Tim O’Reilly? by Molly Sauter 8 years, 3 months ago

If you’ve lost your job, and can’t find another one, or were never able to find steady full-time employment in the first place between automation, outsourcing, and strings of financial meltdowns, Tim O’Reilly wants you to know you shouldn’t be mad. If you’ve been driven into the exploitative arms of the gig economy because the jobs you have been able to find don’t pay a living wage, Tim O’Reilly wants you to know this is a great opportunity. If ever you find yourself being evicted from an apartment you can’t afford because Airbnb has fatally distorted the rental economy in your city, wondering how you’ll pay for the health care you need and the food you need and the student loans you carry with your miscellaneous collection of gigs and jobs and plasma donations, feeling like you’re part of a generational sacrifice zone, Tim O’Reilly wants you to know that it will be worth it, someday, for someone, a long time from now, somewhere in the future.

so good lol

Why is anyone listening to Tim O’Reilly? by Molly Sauter 8 years, 3 months ago

[...] Yes, my own personal brain chemistry is something I must reckon with, but doing so while navigating a cruel health care system, with the goal of remaining healthy enough to face a laughably uncertain financial future, all in service to surviving a world that is everywhere immiserating, hardly seems a good way to answer “how do I live.”

The best answer I’ve managed to come up with is that you live with intention of making that question easier for other people to answer. For me, the worst aspect of chronic depression (besides the boredom of it all) is the urge to be alone. If you’ve read my previous columns, you’ll notice that I almost always find a way to bring up our beholdenness to others. This is because I’m a lazy writer, but also because the fact of mutual obligation is what gives me the motivation to write at all. It’s also what animates any politics worth having.

I’m not sure if that’s an answer, really, and maybe we all need to fumble towards our own. All I know is that my occasional inability to bear the world is, in meaningful ways, a response to living in a world made unbearable. This can bring you to despair or it can bring you to purpose — today I chose the latter, and I hope I do again tomorrow.

Dear Fuck-Up: How do you live when everything sucks? by Brandy Jensen 7 years, 11 months ago

He wonders: What makes the bark twist and swirl so, in a tree so straight and wide? Could it be the spinning of the Earth? Is it trying to get the attention of men? Seven hundred years before, a chestnut in Sicily two hundred feet around sheltered a Spanish queen and her hundred mounted knights from a raging storm. That tree will outlive, by a hundred years and more, the man who has never heard of it.

“Do you remember?” Jørgen asks the woman who holds his hand. “Prospect Hill? How we ate that night!” He nods toward the leafy limbs, the land beyond. “I gave you that. And you gave me—all of this! This country. My life. My freedom.”
But the woman who holds his hand is not his wife. Vi has died five years ago, of infected lungs.

“Sleep now,” his granddaughter tells him, and lays his hand back on his spent chest. “We’ll all be just downstairs.”

—p.10 NICHOLAS HOEL (5) by Richard Powers 6 years, 8 months ago

IF GOD HAD A BROWNIE, He might shoot another animated short subject: blight hovering a moment before plunging down the Appalachians into the heart of chestnut country. The chestnuts up North were majestic. But the southern trees are gods. They form near-pure stands for miles on end. In the Carolinas, boles older than America grow ten feet wide and a hundred and twenty feet tall. Whole forests of them flower in rolling clouds of white. Scores of mountain communities are built from the beautiful, straight-grained wood. A single tree might yield as many as fourteen thousand planks. The stocks of food that fall shin-deep feed entire counties, every year a mast year.

Now the gods are dying, all of them. The full force of human ingenuity can’t stop the disaster breaking over the continent. The blight runs along ridgelines, killing off peak after peak. A person perched on an overlook above the southern mountains can watch the trunks change to gray-white skeletons in a rippling wave. Loggers race through a dozen states to cut down whatever the fungus hasn’t reached. The nascent Forest Service encourages them. Use the wood, at least, before it’s ruined. And in that salvage mission, men kill any tree that might contain the secret of resistance.

A five-year-old in Tennessee who sees the first orange spots appear in her magic woods will have nothing left to show her own children except pictures. They’ll never see the ripe, full habit of the tree, never know the sight and sound and smell of their mother’s childhood. Millions of dead stumps sprout suckers that struggle on, year after year, before dying of an infection that, preserved in these stubborn shoots, will never disappear. By 1940, the fungus takes everything, all the way out to the farthest stands in southern Illinois. Four billion trees in the native range vanish into myth. Aside from a few secret pockets of resistance, the only chestnuts left are those that pioneers took far away, to states beyond the reach of the drifting spores.

NOOOOO

—p.14 NICHOLAS HOEL (5) by Richard Powers 6 years, 8 months ago

AT HOLYOKE, Mimi is a LUG: lesbian until graduation. It’s the same at half of the other Seven Sisters colleges, rounded up. Scissors and paste, they call it. Fun, sinning, healthy, shameful, sweet—great practice for something. Life, say. Whatever happens after school.

She reads nineteenth-century American poetry and drinks afternoon tea in South Hadley for three semesters. It beats Wheaton. But one April day she’s reading Abbott’s Flatland for a sophomore survey called Transcendence, when she reaches the part where the narrator, A. Square, gets lifted out of his plane into the expanses of Spaceland. Truth comes over her like a revelation: The only thing worth believing in is measurement. She must become an engineer, like her daddy before her. It’s not even a choice. She’s an engineer already, and always has been. And as with Abbott’s Square, the minute she comes back to Flatland, her Holyoke friends want to lock her up.

She transfers to Berkeley. Best place for ceramic engineering she can find. The place is a staggering time warp. Future masters of the universe study alongside unrepentant revolutionaries who believe the Golden Age of Human Potential peaked ten years before.

She thrives, reborn Mimi, looking like a diminutive Kazakh carrying a programmable calculator, and, in the estimation of many, the cutest thing ever to mouth the Hall-Petch equation. She savors the eerie Stepford Wives climate. She sits in the eucalyptus grove, the trees that explode in the dry heat, solving problem sets and watching the protesters with their placards full of all-caps slogans. The better the weather, the more irate the demands.

The month before graduation, she dons a killer interview suit—sleek, gray, professional, inexorable as a NoCal earthquake. She interviews with eight campus reps and gets three offers. She takes a job as a casting process supervisor for a molding outfit in Portland, because it offers the most chance to travel. They send her to Korea. She falls in love with the country. In four months, she learns more Korean than she knows Chinese.

—p.58 ADAM APPICH (47) by Richard Powers 6 years, 8 months ago

IN THE FALL, with his wife in the basement studying Latin, Winston Ma, once Ma Sih Hsuin to everyone who knew him, sits under the crumbling mulberry and, with Verdi’s Macbeth blasting out the bedroom window, puts a Smith & Wesson 686 with hardwood grips up to his temple and spreads the workings of his infinite being across the flagstones of the backyard. He leaves no note except a calligraphic copy of Wang Wei’s twelve-hundred-year-old poem left unfurled on parchment across the desk in his study:

An old man, I want
only peace.
The things of this world
mean nothing.
I know no good way
to live and I can’t
stop getting lost in my
thoughts, my ancient forests.
The wind that waves the pines
loosens my belt.
The mountain moon lights me
as I play my lute.
You ask: how does a man rise or fall in this life?
The fisherman’s song flows deep under the river.

Mimi is in SFO, on her way to Seattle for a site inspection. She’s mock-shopping the concourse when out of the cacophony of gate calls and public service announcements her name blares out. Something cold grabs at her scalp. Before the people at the customer service desk even hand her the phone, she knows. And all the way home to Illinois she thinks: How do I recognize this already? Why does this all feel so much like remembering?

—p.41 MIMI MA (24) by Richard Powers 6 years, 8 months ago

A JOKE OFFER from a friend—Three bucks if you do my algebra—and he finds himself with easy pocket money. So easy, in fact, that he starts to advertise. Assignments completed in any subject except foreign languages, at any desired quality, as fast as you need them. It takes a while to find the right price point, but when he does, the clients fall in line. He experiments with volume discounts and pay-ahead plans. Soon he’s the proprietor of a successful small business. His parents are relieved to see him doing homework again, for hours each night. They love that he stops bugging them for cash. It’s like win-win-win. Morning in America, with the free market doing its thing, and Adam goes to bed each night thankful to have been born into an entrepreneurial culture.

He’s quick and conscientious. Every assignment is ready by deadline. Soon he has built the most reliable and respected cheating franchise at Harding High. The business makes him almost popular. He socks away most of the cash. There’s nothing he can spend it on that gives him more pleasure than looking at the balance accumulating in his passbook savings account and calculating dollars per duped educator.

Demanding work does requires sacrifice, however. He’s forced to learn all kinds of interesting things that shouldn’t interest him.

—p.58 ADAM APPICH (47) by Richard Powers 6 years, 8 months ago

The itching is insane. Every spot above his waist is unreachable fire. When he drops back down to earth again, his mother is there, curled up in the chair next to his bed. A change in his breathing wakes her from her sleep. His father is there, too, somehow. Neelay worries; what will his employers say when they discover he’s not at work?

His mother says, “You came down out of a tree.”

He can’t connect the dots. “Fell?”

“Yes,” she argues. “That’s what you did.”

“Why are my legs in tubes? Is that to keep me from breaking things?”

Her finger wags in the air, then touches her lips. “Everything will be fine.”

His mother doesn’t say such things.

The nurses ease him by degrees off the pain drip. Anguish sets in as the drugs dry up. People come to see him. His father’s boss. His mother’s card-playing friends. They smile like they’re doing calisthenics. Their comfort scares the crap out of him.

“You’ve been through a lot,” the doctor says. But Neelay has been through nothing. His body, perhaps. His avatar. But he? Nothing important in the code has changed.

The doctor is kind, with a tremor when his hand drops to his side, and eyes that fix on a blank spot high up on the walls. Neelay asks, “Can you take the vise-things off my legs?”

The doctor nods, but not in agreement. “You have some mending to do.”

“It’s bugging me, not to be able to move them.”

“You concentrate on healing. Then we’ll talk about what happens next.”

“Can you at least take off the boots? I can’t even wriggle my toes.”

Then he understands. He’s not yet twelve. He has lived for years in a place of his own devising. The thought of countless good things passing out of his life doesn’t quite occur to him. He still has that other place, the heaven in embryo.

But his mother and father: they fall apart. Awful hours set in, days of disbelief and desperate bargaining that he won’t remember. There will be years of supernatural solutions, alternative practices, and miracle cures. For a long time, his parents’ love will make his sentence worse, until they finally put their faith in moksha and accept that their son is a cripple.

—p.103 NEELAY MEHTA (91) by Richard Powers 6 years, 8 months ago