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Loneliness is not supposed to induce empathy, but like Wojnarowicz’s diaries and Klaus Nomi’s voice, that painting of Warhol was one of the things that most medicated my own feelings of loneliness, giving me a sense of the potential beauty present in a frank declaration that one is human and as such subject to need. So much of the pain of loneliness is to do with concealment, with feeling compelled to hide vulnerability, to tuck ugliness away, to cover up scars as if they are literally repulsive. But why hide? What’s so shameful about wanting, about desire, about having failed to achieve satisfaction, about experiencing unhappiness? Why this need to constantly inhabit peak states, or to be comfortably sealed inside a unit of two, turned inward from the world at large?
There is a gentrification that is happening to cities, and there is a gentrification that is happening to the emotions too, with a similarly homogenising, whitening, deadening effect. Amidst the glossiness of late capitalism, we are fed the notion that all difficult feelings – depression, anxiety, loneliness, rage – are simply a consequence of unsettled chemistry, a problem to be fixed, rather than a response to structural injustice or, on the other hand, to the native texture of embodiment, of doing time, as David Wojnarowicz memorably put it, in a rented body, with all the attendant grief and frustration that entails.
I don’t believe the cure for loneliness is meeting someone, not necessarily. I think it’s about two things: learning how to befriend yourself and understanding that many of the things that seem to afflict us as individuals are in fact a result of larger forces of stigma and exclusion, which can and should be resisted.
Loneliness is personal, and it is also political. Loneliness is collective; it is a city. As to how to inhabit it, there are no rules and nor is there any need to feel shame, only to remember that the pursuit of individual happiness does not trump or excuse our obligations to each another. We are in this together, this accumulation of scars, this world of objects, this physical and temporary heaven that so often takes on the countenance of hell. What matters is kindness; what matters is solidarity. What matters is staying alert, staying open, because if we know anything from what has gone before us, it is that the time for feeling will not last.
My friends from Florence came, Bianca and Marta returned, and even Gianni. I said it was drowsiness that had sent me off the road. But I knew very well that drowsiness wasn’t to blame. At the origin was a gesture of mine that made no sense, and which, precisely because it was senseless, I immediately decided not to speak of to anyone. The hardest things to talk about are the ones we ourselves can’t understand.
[...] I had wanted Bianca, one wants a child with an animal opacity reinforced by popular beliefs. She had arrived immediately, I was twenty-three, her father and I were right in the midst of a difficult struggle to keep jobs at the university. He made it, I didn’t. A woman’s body does a thousand different things, toils, runs, studies, fantasizes, invents, wearies, and meanwhile the breasts enlarge, the lips of the sex swell, the flesh throbs with a round life that is yours, your life, and yet pushes elsewhere, draws away from you although it inhabits your belly, joyful and weighty, felt as a greedy impulse and yet repellent, like an insect’s poison injected into a vein.
Your life wants to become another’s. Bianca was expelled, expelled herself, but—everyone around us believed it, and we, too, believed it—she couldn’t grow up alone, how sad, she needed a brother, a sister for company. So, right after her, I planned, yes, just as they say, planned, Marta to grow in my belly, too.
I was twenty-five and every other game was over for me. [...]
I was so desolate in those years. I could no longer study, I played without joy, my body felt inanimate, without desires. When Marta began to howl in the other room it was almost a liberation. I got up, rudely cutting off Bianca’s game, but I felt innocent, it wasn’t I who was leaving my daughter, it was my second-born who was tearing me away from the first. I have to go to Marta, I’ll be right back, wait. She would begin crying.
I saw her fly toward the asphalt and felt a cruel joy. She seemed to me, as she fell, an ugly creature. I stood leaning against the railing for I don’t know how long watching the cars that passed over her, mutilating her. Then I realized that Bianca, too, was watching, on her knees, with her forehead pressed against the bars of the railing. I picked her up, she let herself be held, yielding. I kissed her for a long time, I hugged her as if I wanted to take her back into my body. You hurt me Mama, you’re hurting me. I left Elena’s doll on the sofa, lying on her back, belly up.
The storm had moved quickly to land, violently, with blinding lightning and thunder that sounded like cars exploding, full of dynamite. I ran to close the windows in the bedroom before everything got soaked, I turned on the bedside lamp. I lay on the bed, arranged the pillows against the headboard, and began to work with a will, filling pages with notes.
Reading, writing have always been my way of soothing myself.
Yet I began to pay more attention to myself, as if I wanted to keep the body I was accustomed to, put off its departure. When my daughters’ boyfriends came to the house, I tried to make myself more attractive to receive them. I barely saw them, when they entered, when they left, saying goodbye to me in embarrassment, and yet I was very careful about my appearance, my manners. Bianca took them into her room, Marta into hers, I was alone. I wanted my daughters to be loved, I couldn’t bear them not to be, I was terrified of their possible unhappiness; but the gusts of sensuality they exhaled were violent, voracious, and I felt that the force of attraction of their bodies was as if subtracted from mine. So I was content when they told me, laughing, that the boys had found me a young and good-looking mother. It seemed to me for a few minutes that our three organisms had reached a pleasant accord.
But my anxieties didn’t disappear. I observed my daughters when they weren’t paying attention, I felt for them a complicated alternation of sympathy and antipathy. Bianca, I sometimes thought, is unlikable, and I suffered for her. Then I discovered that she was much loved, she had girl and boy friends, and I felt that it was only I, her mother, who found her unlikable, and was remorseful. I didn’t like her dismissive laugh. I didn’t like her eagerness to always claim more than others: at the table, for example, she took more food than everyone else, not to eat it but to be sure of not missing anything, of not being neglected or cheated. I didn’t like her stubborn silence when she felt she was wrong but couldn’t admit her mistake.
You’re like that, too, my husband told me. Maybe it was true, what seemed to me unlikable in Bianca was only the reflection of an antipathy I felt for myself. Or no, it wasn’t so simple, things were more tangled. Even when I recognized in the two girls what I considered my own good qualities I felt that something wasn’t right. I had the impression that they didn’t know how to make good use of those qualities, that the best part of me ended up in their bodies as a mistaken graft, a parody, and I was angry, ashamed.
[...] I settled myself almost on the threshold, so that I would feel only the cool air, and tried to get my nerves under control.
What had I done that was so terrible, in the end. Years earlier, I had been a girl who felt lost, this was true. All the hopes of youth seemed to have been destroyed, I seemed to be falling backward toward my mother, my grandmother, the chain of mute or angry women I came from. Missed opportunities. Ambition was still burning, fed by a young body, by an imagination full of plans, but I felt that my creative passion was cut off more and more thoroughly by the reality of dealings with the universities and the need to exploit opportunities for a possible career. I seemed to be imprisoned in my own head, without the chance to test myself, and I was frustrated
And I did walk for a long time, my purse over my shoulder, sandals in one hand, feet in the water. I met almost no one, only a few pairs of lovers. In the first year of Marta’s life I discovered that I no longer loved my husband. A hard year, the baby barely slept and wouldn’t let me sleep. Physical tiredness is a magnifying glass. I was too tired to study, to think, to laugh, to cry, to love that man who was too intelligent, too stubbornly involved in his wager with life, too absent. Love requires energy, I had none left. When he began with caresses and kisses, I became anxious, I felt that I was a stimulus abused for his solitary pleasures.