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Maybe it could be a problem of narrative. I was living a story and now the story seems to have stopped and I don’t really care, that’s what it feels like. Like an old ship rusting in a bay somewhere. Or maybe more accurately, just a car accident. I’ve come to a stop, metaphorically. That’s what it feels like. What it looks like is also very much like a car accident.
I don’t know what to do, is the point. What should I do, Kristin? Everything’s all unhooked and I’ve become a hazard.
[...] “Is God Dead?” If the question, put this way, is less in vogue now, Camus still describes so well the way the world feels when it rubs up against our nostalgia for the old meanings: silent. And empty; the “God-shaped hole,” we called it in Sunday school, assuming this must be what the hearts of nonbelievers always felt like. In your case, I guess it would be a war-shaped hole. There are other names: closing time, the end of the party, the desert of the real. Because whatever the story was about — the God you’d get to be with later in heaven, the cause worth fighting for, your country, your art, your masculinity, your heroism (I don’t know what you did those seven times at war) — it always runs out.
YOU WANT A PHILOSOPHICAL PRINCIPLE to give you some motivation to get out of the bay in which you’re an old ship, rusting. You want the clarity, the rigor, and the strength of philosophy to give you a reason to do what you have to do next. But ever since I read your letter I have been thinking about poetry — specifically a poem by Mark Doty called “Visitation.” In the poem, a man hears that a young humpback whale is stuck in a nearby harbor. The man is depressed, grieving something or someone. What he is grieving is unnamed in the poem. The world is “dark upon dark, any sense / of spirit an embattled flame / sparked against wind-driven rain / till pain snuffed it out.” He assumes the whale is experiencing the same pain; it is stuck in the bay, helpless, its ability to navigate its way out confused by sonar or who knows what human technologies and environmental atrocities. [...]
. . . even I
couldn’t help but look
at the way this immense figure
graces the dark medium,
and shines so: heaviness
which is no burden to itself.
And the last lines, which I have been wanting to write to you since I read your letter:
What did you think, that joy
was some slight thing?
I understand, as much as a coddled civilian can understand anything — my rocks are pebbles, kicked up the slightest slope — that it must feel the most compelling thing in the world to continue to choose violence, to your drug dealer, your friends, your mind, your own body. But sometimes we have to do things without knowing. With the body, at least for me, you have to take a leap, have faith that if you can hold on and make it one or two weeks without a constant hangover, you will know things you don’t know now. There is a feeling in the body that is just the feeling of physical well-being and it connects you to all humans and other animals and maybe even trees. The war will always be there, but you have a choice of what to give your attention to. The familiar story, the car crash, or the thing more radical and more frightening and wiser than strength: to grieve, to renounce the story and that paragraph you can’t get past, to make peace with your contingency and interchangeability so you can see the other side of it, to the connections that make it a joy, sometimes, to be alive.
I have a garden, or what we call in New York a garden — a cement plot edged with potted plants — and I often think I should go outside to sit at the green plastic table and write and work, in good health, having made myself a glass of iced tea or something. But sometimes I just can’t do it. I make the list, but then I sit on my brown couch and stare for hours, turning something inarticulate over and over in my head, waiting for something that never happens, dehydrating myself, eating nothing good, caught between dread and guilt about not doing the things on the list and the pleasure of not doing the things on the list, while the air gets too heavy to move through, the stillness a little terrifying, if I let it be, like lucid dreaming about paralysis. Recently nearly a whole week passed while I was on the couch, while the sun shone outside and the flowers bloomed absurdly.
That the end is always there in the beginning is, obviously, no comfort. Our strangeness and difference from one another is what makes it feel so expansive and effervescent to learn each others’ bodies and worlds; this is what makes the world shine, and then empties it out, for a while, when the other becomes strange again. It’s true, but it’s also bullshit; some people are able to learn one another again, apologize, forgive, make new. She could have. He could have. You could have. I could say: Next time, ask to meet the husband. But you are not asking what to do next time. You are asking what can be saved, if anything, of the world you made together.
[...] The phrase “try harder” first came to my attention when I was writing an essay for this very magazine. Next to a paragraph that was foundering on the rocks of my typically confused mind, Mark Greif, rather than engaging in any substantial way with the content of that paragraph or giving me any guidance at all about how I might improve it, instead wrote in the margin next to the paragraph in blue ink, try harder.
At first I was puzzled. Try harder at what? Try harder at making sense, I supposed, but how? Maybe Mr. Greif should try harder at editing, I thought. But then, because he had asked, I decided to attempt what he’d suggested. I turned my attention more vigorously to the problem paragraph, and found the place in the mind where you can — motivated by heightened belief and desire — make yourself make more sense, and I sat still and worked until the paragraph got better, and it did. And the fact that he hadn’t told me what to do, but assumed that if I tried harder, I would figure out what to do, was the condition of possibility for being able to do this.
this is both funny and also worth remembering on a more serious note
[...] That summer weekend, I was floating at one end of her pool, looking at her big yellow house and watching her, beautiful in her black-and-white swimsuit, taking care of her two little girls at the other end of the pool with patience and her characteristic disarming silliness. She makes motherhood look as fun as a Saturday night at my local, which is to say, very fun. The joy I felt about her life with these daughters, the good husband she’d managed to keep, the poems — it was so material as to make my heart feel stretched; I felt a different but equal joy about my own life. This witnessing of another’s life with genuine pleasure, even or especially when its different success might threaten your own personal philosophy of life — I’ve been thinking this is true friendship, or a part of it.