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Like the nice guy from your grad-school program who tries to cover up his hurt feelings by concocting a general theory that explains why he never got a text after his one-night stand, the book portrays the Young-Girl as vain, frivolous, and acquisitive. She serves the traditional female role of reproducing the population and social order, but here, the social order is corrupt. Therefore, Tiqqun suggests, their intervention requires an ironic performance of misogyny. [...]
We believe that Tiqqun has mistaken its object. The real enigma of our age is not the Young-Girl, who, we submit, has been punished enough already for how commodity culture exploits her. It is, rather, her boyish critic. Forms of crypto- and not-so-crypto misogyny have proved startlingly persistent not just within the radical left but also in the bourgeois-left spheres of cultural production: the publishing world, the museum, and the humanities departments of liberal-arts universities. We propose that a particular type is responsible for perpetuating such bad behavior. Call him the Man-Child.
hahahha
The Man-Child has two moods: indecision, and entitlement to this indecisiveness..
The Man-Child tells a racist joke. It is not funny. It is the fact that the Man-Child said something racist that is.
[...]
The Man-Child breaks up with you even though the two of you are not in a relationship. He cites his fear of settling down. You don’t want marriage, at least not with him, but he never thought to ask you.
[...]
If the Man-Child could use his ironic sexism to build a new world, would you want to live in it? Would anyone?
amazing
Tiqqun offers an edgy update to such misogynist metaphors deployed for the purposes of demystification. At times, it speaks longingly of women who have not been utterly corrupted by capitalism. But when it learns what it knew all along—there is no outside; all human relationships have become reified—its disappointment at finding no one authentic to grow old with intensifies its vitriol. “It wasn’t until the Young-Girl appeared that one could concretely experience what it means to ‘fuck,’ that is, to fuck someone without fucking anyone in particular. Because to fuck a being that is really so abstract, so utterly interchangeable, is to fuck in the absolute.” Tiqqun’s language may be obscene, but its point is nothing new. The failure to see women as “anyone in particular,” or as subjects endowed with their own ends, has allowed men to fuck women over for centuries.
love the writing
Tiqqun can insist, despite all the evidence to the contrary, that the Young-Girl is “obviously not a gendered concept” because it knows that we know that it knows this. Tiqqun uses works of Continental philosophy in the same way that schoolyard bullies use in-jokes: as passwords that grant access to a protected inner circle. Tiqqun assumes that readers will assume that writers so well versed in texts that have spoken truth to power could not really hate women. The prestige of the theoretical vocabulary that Tiqqun’s members have mastered bolsters their credibility.
At the same time, Theory of the Young-Girl adopts a playful pose that prevents real Young-Girls, or any Grown Women who might find time to read books published by Semiotext(e), from calling them out. Because Tiqqun’s collage does not attribute sources, we can read any given passage in disavowing quotation marks, as a lightning bolt of original insight, or as both. Publishing anonymously is only a backup measure for evading responsibility. Lift out any one line to object to it—“Wait a minute, how has all the concreteness of the world taken refuge in my ass?”—and you would be sure to look foolish, even if you did know whom to ask.
[...]
Even when adopted by radical theory, this knowing posture is conservative. Knowingness is the attitude that allows sexism to persist in progressive institutions that you would expect to know better, precisely because you would. When casual sexism pervades leftist theory, one assumes it is ironic; when progressive institutions ignore gender politics, one assumes this is because struggles for equality have already been won, or must be deferred so we can attend to more pressing political needs. Intellectuals tend to show class allegiance, bracketing or ignoring casual sexism in their own circles. They project misogyny outward, onto Middle America megachurches and racialized others, or onto the powerful men that pander to those masses.