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Showing results by Jonathan Franzen only

On the morning of Chip's conception she'd merely looked like she was shamming sleep, but on the morning of Denise's, seven years later, she really was pretending. Alfred in middle age had invited such venial deceptions. A decade-plus of marriage had turned him into one of the overly civilized predators you hear about in zoos, the Bengal tiger that forgets how to kill, the lion lazy with depression. To exert attraction, Enid had to be a still, unbloody carcass. If she actively reached out, actively threw a thigh over his, he braced himself against her and withheld his face; if she so much as stepped from the bathroom naked he averted his eyes, as the Golden Rule enjoined the man who hated to be seen himself. Only early in the morning, waking to the sight of her small white shoulder, did he venture from his lair. Her stillness and self-containment, the slow sips of air she took, her purely vulnerable object- hood, made him pounce. And feeling his padded paw on her ribs and his meat-seeking breath on her neck she went limp, as if with prey's instinctive resignation ("Let's get this dying over with"), although in truth her passivity was calculated, because she knew passivity inflamed him. He had her, and to some extent she wanted to be had, like an animal: in a mute mutual privacy of violence. She, too, kept her eyes shut. Often didn't even roll from the side she'd been lying on but simply flared her hip, brought her knee up in a vaguely proctologic reflex. Then without showing her his face he departed for the bathroom, where he washed and shaved and emerged to see the bed already made and to hear, downstairs, the percolator gulping. From Enid's perspective in the kitchen maybe a lion, not her husband, had voluptuously mauled her, or maybe one of the men in uniform she ought to have married had slipped into her bed. It wasn't a wonderful life, but a woman could subsist on self-deceptions like these and on her memories (which also now curiously seemed like self-deceptions) of the early years when he'd been mad for her and had looked into her eyes. The important thing was to keep it all tacit. If the act was never spoken of, there would be no reason to discontinue it until she was definitely pregnant again, and even after pregnancy no reason not to resume it, as long as it was never mentioned.

—p.278 by Jonathan Franzen 1 year, 4 months ago

How modest—compared to the furious locomotive—a stretch of weedy track could seem, skirting a field of late sorghum. But without this track a train was ten thousand tons of ungovernable nothing. The will was in the track.

Everywhere Alfred went in the Erie Belt's hinterland he heard young Erie Belt employees telling one another, "Take it easy!"

"See ya later, Sam. Don't work too hard, now."

"Take it easy."

"You too, pal. Take it easy."

The phrase seemed to Alfred an eastern blight, a fitting epitaph for a once-great state, Ohio, that parasitic Teamsters had sucked nearly dry. Nobody in St. Jude would dare tell him to take it easy. On the high prairie where he'd grown up, a person who took it easy wasn't much of a man. Now came a new effeminate generation for whom "easygoing" was a compliment. Alfred heard Erie Belt track gangs yukking it up on company time, he saw flashily dressed clerks taking ten-minute breaks for coffee, he watched callow draftsmen smoke cigarettes with insinuating relish while a once-solid railroad fell to pieces all around them. "Take it easy" was the watchword of these superfriendly young men, the token of their overfamiliarity, the false reassurance that enabled them to ignore the filth they worked in.

—p.281 by Jonathan Franzen 1 year, 4 months ago

Nighttime was a different matter. By night he lay awake on mattresses that felt made of cardboard and catalogued the faults of humanity. It seemed as if, in every motel he stayed in, he had neighbors who fornicated like there was no tomorrow—men of ill-breeding and poor discipline, women who chuckled and screamed. At 1 a. m. in Erie, Pennsylvania, a girl in the next room ranted and panted like a strumpet. Some slick, worthless fellow having his way with her. Alfred blamed the girl for taking it easy. He blamed the man for his easygoing confidence. He blamed both of them for lacking the consideration to keep their voices down. How could they never once stop to think of their neighbor, lying awake in the next room? He blamed God for allowing such people to exist. He blamed democracy for inflicting them on him. He blamed the motel's architect for trusting a single layer of cinder block to preserve the repose of paying customers. He blamed the motel management for not keeping in reserve a room for guests who suffered. He blamed the frivolous, easygoing townspeople of Washington, Pennsylvania, who had driven 150 miles for a high-school football championship game and filled every motel room in northwest Pennsylvania. He blamed his fellow guests for their indifference to the fornication, he blamed all of humanity for its insensitivity, and it was so unfair. It was unfair that the world could be so inconsiderate to a man who was so considerate to the world. No man worked harder than he, no man made a quieter motel neighbor, no man was more of a man, and yet the phonies of the world were allowed to rob him of sleep with their lewd transactions ...

—p.283 by Jonathan Franzen 1 year, 4 months ago

He returned to St. Jude in an executive car appended to an intercity freight run, and from Union Station he took the commuter local to the suburbs. In the blocks between the station and his house the last leaves were coming down. It was the season of hurtling, hurtling toward winter. Cavalries of leaf wheeled across the bitten lawns. He stopped in the street and looked at the house that he and a bank owned. The gutters were plugged with twigs and acorns, the mum beds were blasted. It occurred to him that his wife was pregnant again. Months were rushing him forward on their rigid track, carrying him closer to the day he'd be the father of three, the year he'd pay off his mortgage, the season of his death.

—p.285 by Jonathan Franzen 1 year, 4 months ago

Entering the house through the kitchen door, Alfred saw chunks of raw rutabaga in a pot of water, a rubber-banded bunch of beet greens, and some mystery meat in brown butcher paper. Also a casual onion that looked destined to be fried and served with—liver?

On the floor by the basement stairs was a nest of magazines and jelly glasses.

"Al?" Enid called from the basement.

He set down his suitcase and briefcase, gathered the magazines and jelly glasses in his arms, and carried them down the steps.

Enid parked her iron on the ironing board and emerged from the laundry room with butterflies in her stomach— whether from lust or from fear of Al's rage or from fear that she might become enraged herself she didn't know.

He set her straight in a hurry. "What did I ask you to do before I left?"

"You're home early," she said. "The boys are still at the Y."

"What is the one thing I asked you to do while I was gone?"

"I'm catching up on laundry. The boys have been sick."

"Do you remember," he said, "that I asked you to take care of the mess at the top of the stairs? That that was the one thing—the one thing—I asked you to do while I was gone?"

Without waiting for an answer, he went into his metallurgy lab and dumped the magazines and jelly glasses into a heavy-duty trash can. From the hammer shelf he took a badly balanced hammer, a crudely forged Neanderthal club that he hated and kept only for purposes of demolition, and methodically broke each jelly glass. A splinter hit his cheek and he swung more furiously, smashing the shards into smaller shards, but nothing could eradicate his transgression with Chuck Meisner, or the grass-damp triangles of cheerleading leotard, no matter how he hammered.

:(

—p.287 by Jonathan Franzen 1 year, 4 months ago

It was true that Al had asked her to move the jars and magazines, and there was probably a word for the way she'd stepped around those jars and magazines for the last eleven days, often nearly stumbling on them; maybe a psychiatric word with many syllables or maybe a simple word like "spite." But it seemed to her that he'd asked her to do more than "one thing" while he was gone. He'd also asked her to make the boys three meals a day, and clothe them and read to them and nurse them in sickness, and scrub the kitchen floor and wash the sheets and iron his shirts, and do it all without a husband's kisses or kind words. If she tried to get credit for these labors of hers, however, Al simply asked her whose labors had paid for the house and food and linens? Never mind that his work so satisfied him that he didn't need her love, while her chores so bored her that she needed his love doubly. In any rational accounting, his work canceled her work.

—p.288 by Jonathan Franzen 1 year, 4 months ago

Three common measures of a material's strength were its resistance to pressure, to tension, and to shearing.

Every time his wife's footsteps approached the lab he braced himself to accept her comforts. Then he heard the game ending, and he thought surely she would take pity on him now. It was the one thing he asked of her, the one thing

(Schopenhauer: Woman pays the debt of life not by what she does, but by what she suffers; by the pains of childbearing and care for the child, and by submission to her husband, to whom she should be a patient and cheering companion.)

But no rescue was forthcoming. Through the closed door he heard her retreat to the laundry room. He heard the mild buzz of a transformer, Gary playing with the O-gauge train beneath the Ping-Pong table.

A fourth measure of strength, important to manufacturers of rail stock and machine parts, was hardness.

With unspeakable expenditure of will Alfred turned on a light and opened his lab notebook.

—p.306 by Jonathan Franzen 1 year, 4 months ago

To the boardinghouse a few years after the war came a young steel engineer newly transferred to St. Jude to manage a foundry. He was a full-lipped thick-haired well- muscled boy in a man's shape and a man's suits. The suits were themselves luxuriantly pleated wool beauties. Once or twice every night, serving dinner at the big round table, Enid glanced over her shoulder and caught him looking, and made him blush. Al was Kansan. After two months he found courage to take her skating. They drank cocoa and he told her that human beings were born to suffer. He took her to a steel-company Christmas party and told her that the intelligent were doomed to be tormented by the stupid. He was a good dancer and a good earner, however, and she kissed him in the elevator. Soon they were engaged and they chastely rode a night train to McCook, Nebraska, to visit his aged parents. His father kept a slave whom he was married to.

Cleaning Al's room in St. Jude she found a much- handled volume of Schopenhauer with certain passages underlined. For example: The pleasure in this world, it has been said, outweighs the pain; or, at any rate, there is an even balance between the two. If the reader wishes to see shortly whether this statement is true, let him compare the respective feelings of two animals, one of which is engaged in eating the other.

What to believe about Al Lambert? There were the old- man things he said about himself and the young-man way he looked. Enid had chosen to believe the promise of his looks. Life then became a matter of waiting for his personality to change.

While she waited, she ironed twenty shirts a week, plus her own skirts and blouses.

AHHH

—p.308 by Jonathan Franzen 1 year, 4 months ago

From the street, if you paid attention, you could see the light in the windows dimming as Gary's train or Enid's iron or Alfred's experiments drained power off the grid. But how lifeless the house looked otherwise. In the lighted houses of the Meisners, of the Schumperts and the Persons and the Roots, people were clearly at home—whole families grouped around tables, young heads bent over homework, dens aflicker with TV, toddlers careening, a grandparent testing a tea bag's virtue with a third soaking. These were spirited, unselfconscious houses.

Whether anybody was home meant everything to a house. It was more than a major fact: it was the only fact.

—p.309 by Jonathan Franzen 1 year, 4 months ago

The dream of radical transformation: of one day waking up and finding himself a wholly different (more confident, more serene) kind of person, of escaping that prison of the given, of feeling divinely capable.

—p.313 by Jonathan Franzen 1 year, 4 months ago

Showing results by Jonathan Franzen only