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Showing results by Theodor W. Adorno only

[...] It is part of the mechanism of domination to forbid recognition of the suffering it produces, and there is a straight line of development between the gospel of happiness ad the construction of camps of extermination so far off in Poland that each of our own countrymen can convince himself that he cannot hear the screams of pain. [...]

in a section called Invitation to the dance, on psychoanalysis and the capacity for pleasure (about which he is, as you would expect, quite scathing)

—p.63 Part One (21) by Theodor W. Adorno 6 years ago

[...] Ready-made enlightenment turns not only spontaneous reflection but also analytical insights - whose power equals the energy and suffering that it cost to gain them - into mass-produced articles, and the painful secrets of the individual history, which the orthodox method is already inclined to reduce to formulae, into commonplace conventions. Dispelling rationalizations becomes itself rationalization. Instead of working to gain self-awareness, the initiates become adept at subsuming all instinctual conflicts under such concepts [...] Terror before the abyss of the self is removed by the consciousness of being concerned with nothing so very different from arthritis or sinus trouble. Thus conflicts lose their menace. [...]

—p.65 Part One (21) by Theodor W. Adorno 6 years ago

[...] It is precisely the critical element that is wanting in ostensibly independent thought. Insistence on the cosmic secret hidden beneath the outer shell, in reverently omitting to establish the relation between the two, often enough confirms by just this omission that the shell has its goods reasons that must be accepted without asking questions. Between delight in emptiness and the lie of fullness, the prevailing intellectual situation allows no third way.

Yet a gaze averted from the beaten track, a hatred of brutality, a search for fresh concepts not yet encompassed by the general pattern, is the last hope for thought. In an intellectual hierarchy which constantly makes everyone answerable, unanswerability alone can call the hierarchy directly by its name. The circulation sphere, whose stigmata are borne by intellectual outsiders, opens a last refuge to the mind that it barters away, at the very moment when refuge really no longer exists. He who offers for sale something unique that no-one wants to buy, represents, even against his will, freedom from exchange.

not sure how valid this reading is, but it reminds me a bit of China Mieville's apophatic Marxism

—p.67 Part One (21) by Theodor W. Adorno 6 years ago

The injunction to practise intellectual honesty usually amounts to sabotage of thought. The writer is urged to show explicitly all the steps that have led him to his conclusion, so enabling every reader to follow the process through and, where possible — in the academic industry — to duplicate it. This demand not only invokes the liberal fiction of the universal communicability of each and every thought and so inhibits their objectively appropriate expression, but is also wrong in itself as a principle of representation. For the value of a thought is measured by its distance from the continuity of the familiar. It is objectively devalued as this distance is reduced; the more it approximates to the pre-existing standard, the further its antithetical function is diminished, and only in this, in its manifest relation to its opposite, not in its isolated existence, are the claims of thought founded. Texts which anxiously undertake to record every step without omission inevitably succumb to banality, and to a monotony related not only to the tension induced in the reader, but to their own substance. [...] Every thought which is not idle, however, bears branded on it the impossibility of its full legitimation, as we know in dreams that there are mathematics lessons, missed for the sake of a blissful morning in bed, which can never be made up. Thought waits to be woken one day by the memory of what has been missed, and to be transformed into teaching.

a potential counterpoint to my from-first-principles approach

also the last bit is just weirdly beautiful

—p.80 Part One (21) by Theodor W. Adorno 6 years ago

If one gave way to a need to place the system of the culture industry in a wide, world-historical perspective, it would have to be defined as the systematic exploitation of the ancient fissure between men and their culture. The dual nature of progress, which always developed the potential of freedom simultaneously with the reality of oppression, gave rise to a situation where peoples were more and more inducted into the control of nature and social organization, but grew at the same time, owing to the compulsion under which culture placed them, incapable of understanding in what way culture went beyond such integration. [...]

—p.146 Part Two (85) by Theodor W. Adorno 6 years ago

[...] Genuine things are those to which commodities and other means of exchange can be reduced, particularly gold. But like gold, genuineness, abstracted as the proportion of fine metal, becomes a fetish. Both are treated as if they were the foundation, which in reality is a social relation, while gold and genuineness precisely express only the fungibility, the comparability of things; it is they that are not in-themselves, but for-others. The ungenuineness of the genuine stems from its need to claim, in a society dominated by exchange, to be what it stands for yet is never able to be. The apostles of genuineness, in the service of the power that now masters circulation, dignify the demise of the latter with the dance of the money-veils.

—p.155 Part Two (85) by Theodor W. Adorno 6 years ago

Sleepless night: so there is a formula for those tormented hours, drawn out without prospect of end or dawn, in the vain effort to forget time's empty passing. But truly terrifying are the sleepless nights when time seems to contract and run fruitlessly through our hands. We put out the light in the hope of long hours of rest that can bring succour. But as our thoughts run wild the night's healing store is squandered, and before we have banished all sights from beneath our burning lids, we know that it is too late, that we shall soon feel the rough shake of morning. [...] Man's life becomes a moment, but not suspending duration but by lapsing into nothingness, waking to its own futility in face of the bad eternity of time itself. In the clock's over-loud ticking we hear the mockery of light-years for the span of our existence. [...] In his state of complete powerlessness the individual perceives the time he has left to live as a brief reprieve. He does not expect to live out his life to the end. The prospect of violent death and torture, present to everyone, is prolonged in the fear that the days are numbered, that the length of one's own life is subject to statistics; that growing old has become a kind of unfair advantage gained over the average. [...]

who hurt you (but also, yes, v relatable)

—p.165 Part Three (161) by Theodor W. Adorno 6 years ago

[...] The bourgeois have made of satiety, which might be akin to bliss, a term of abuse. Because others go hungry, ideology requires that the absence of hunger be thought vulgar. So the bourgeois indict the bourgeois. Their own exemption from work proscribes the praise of idleness: the latter is called boring. The hectic bustle to which Schopenhaeuer alludes springs less from the unbearableness of a privileged condition than from its ostentatious, which, according to the historical situation, is designed either to increase social distance or, by purportedly important displays, apparently to reduce it, to emphasize the usefulness of the masters. If people at the top are really bored, it is not because they suffer from too much happiness, but because they are marked by the general misery; by the commodity character that consigns amusements to idiocy, by the brutality of the command which echoes terribly in the rulers' gaiety, finally by the fear of their own superfluity. None who profit by the profit system may exist within it without shame, and this deforms even the undeformed joys [...]

incidentally, i would love to see a left cultural critique of a show like Gossip Girl, ideally from a place of something sympathy instead of merely scorn

—p.176 Part Three (161) by Theodor W. Adorno 6 years ago

Art is not a matter of pointing up alternatives but rather of resisting, solely through artistic form, the course of the world, which continues to hold a pistol to the head of human beings.

intro epigraph

—p.xv Introduction (xv) by Theodor W. Adorno 1 month ago

Showing results by Theodor W. Adorno only