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Showing results by David Foster Wallace only

Antidepressants were prescribed for me by a very nice doctor named Dr. Kablumbus at a hospital to which I was sent ever so briefly following a really highly ridiculous incident involving electrical appliances in the bathtub about which I really don't wish to say a whole lot. [...]

—p.5 The Planet Trillaphon as it Stands in Relation to the Bad Thing (5) by David Foster Wallace 7 years, 2 months ago

[...] And yet whenever I'd look in the mirror. there it would be, and I could always feel the heat of the blood on my cheek, and when I'd feel with my hand my fingers would sink in there really deep into what felt like hot gelatin with bones and ropes and stuff in it. And it seemed like everyone was always looking at it. They'd seem to stare at me really funny, and I'd think "Oh God. I'm really making them sick, they see it. I've got to hide, get me out of here." But they were probably only staring because I looked all scared and in pain and kept my hand to my face and was staggering like I was drunk all over the place all the time. But at the time, it seemed so real. Weird. weird. weird. [...]

the weird, weird weird part kills me

—p.6 The Planet Trillaphon as it Stands in Relation to the Bad Thing (5) by David Foster Wallace 7 years, 2 months ago

[...] A very glib guy on the television said some people liken it to being underwater, under a body of water that has no surface, at least for you, so that no matter what direction you go, there will only be more water, no fresh air and freedom of movement, just restriction and suffocation, and no light. (I don't know how apt It is to say it's like being underwater, but maybe imagine the moment in which you realize, at which It hits you that there is no surface for you, that you're just going to drown in there no matter which way you swim; imagine how you'd feel at that exact moment, like Descartes at the start of his second thing, then imagine that feeling in all its really delightful choking intensity spread out over hours, days, months ... that would maybe be more apt.) [...]

—p.10 The Planet Trillaphon as it Stands in Relation to the Bad Thing (5) by David Foster Wallace 7 years, 2 months ago

[...] This is the way the Bad Thing works: it's especially good at attacking your defense mechanisms. The way to fight against or get away from the Bad Thing is clearly just to think differently, to reason and argue with yourself, just to change the way you're perceiving and sensing and processing stuff. But you need your mind to do this, your brain cells with their atoms and your mental powers and all that, your self, and that's exactly what the Bad Thing has made too sick to work right. That's exactly what it has made sick. It's made you sick in just such a way that you can't get better. And you start thinking about this pretty vicious situation, and you say to yourself, "Boy oh boy, how the heck is the Bad Thing able to do this?" You think about it--really hard, since it's in your best interests to do so--and then all of a sudden it sort of dawns on you ... that the Bad Thing is able to do this to you because you're the Bad Thing yourself! The Bad Thing is you. Nothing else: no bacteriological infection or having gotten conked on the head with a board or a mallet when you were a little kid, or any other excuse; you are the sickness yourself. It is what "defines" you, especially after a little while has gone by. You realize all this, here. And that, I guess, is when if you're all glib you realize that there is no surface to the water, or when you bonk your nose on the jar's glass and realize you're trapped. or when you look at the black hole and it's wearing your face. That's when the Bad Thing just absolutely eats you up, or rather when you just eat yourself up. When you kill yourself. All this business about people committing suicide when they're "severely depressed;" we say, "Holy cow, we must do something to stop them from killing themselves!" That's wrong. Because all these people have, you see, by this time already killed themselves, where it really counts. [...]

—p.12 The Planet Trillaphon as it Stands in Relation to the Bad Thing (5) by David Foster Wallace 7 years, 2 months ago

The big question is whether the Bad Thing is on the planet Trillaphon. I don't know if it is or not. Maybe it has a harder time in a thinner and less nutritious atmosphere. I certainly do, in some respects. Sometimes, when I don't think about it, I think I have just totally escaped the Bad Thing, and that I am going to be able to lead a Normal and Productive Life as a lawyer or something here on the planet Trillaphon, once I get so I can read again.

Being far away sort of helps with respect to the Bad Thing.

Except that is just highly silly when you think about what I said before concerning the fact that the Bad Thing is really

I am slain

—p.19 The Planet Trillaphon as it Stands in Relation to the Bad Thing (5) by David Foster Wallace 7 years, 2 months ago

[...] The new noise on my planet is kind of a high-tension electric trill. That's why for almost a year now I've somehow always gotten the name of my antidepressant wrong when I'm not looking right at the bottle: I've called it 'Trillaphon" instead of "Tofranil," because "Trillaphon" is more trilly and electrical, and it just sounds more like what it's like to be there. [...]

—p.18 The Planet Trillaphon as it Stands in Relation to the Bad Thing (5) by David Foster Wallace 7 years, 2 months ago

I've been on antidepressants for, what. about a year now, and I suppose I feel as if I'm pretty qualified to tell what they're like. They're fine, really, but they're fine in the same way that, say, living on another planet that was warm and comfortable and had food and fresh water would be fine: it would be fine, but it wouldn't be good old Earth, obviously. I haven't been on Earth now for almost a year. because I wasn't doing very well on Earth. I've been doing somewhat better here where I am now, on the planet Trillaphon, which I suppose is good news for everyone involved.

—p.5 The Planet Trillaphon as it Stands in Relation to the Bad Thing (5) by David Foster Wallace 7 years, 2 months ago

I'd say that this is a dangerous kind of piece to do, because it sets up Narrator Persona challenges, more specifically the Asshole Problem. I'm sure you guys have seen it--it's death if the biggest sense the reader gets from a critical essay is that the narrator's a very critical person, or from a comic essay that the narrator's cruel or snooty. Hence the importance of being just as critical about oneself as one is about the stuff/people one's being critical of.

in a response to a student email

—p.761 Afterword by Anne Fadiman (759) by David Foster Wallace 7 years, 2 months ago

[...] I think this is because the stuff that's truly interesting about religion is inarticulable.** Plus the truth is that there's nothing about I really know, and nothing about it that anybody, I don't think, really knows; and so when I hear some person try to articulate or persuade me of some specific point about religious stuff I find myself looking at my watch or shifting my feet, immediately and deeply bored. But--each time--this boredom always lasts exactly as long as it takes me to realize that what this person who's trying to talk about religion is really talking about is herself. This happens each time. I'm glazed and scanning for the exit until I get the real gist: though these heartfelt utterances present themselves as assuasive or argumentative, what they really are are--truly, deeply--expressive--expressive of a self's heart's special tangle, of a knowing and verbal self's particular tortured relation to what is unknow- and -sayable. Then it gets interesting again.

**(Which of course paradoxically is a big part of what makes it so interesting, so it all gets really tangled.)

—p.7 Quo Vadis--Introduction (7) by David Foster Wallace 7 years, 2 months ago

[...] He would make it his business to create a really bad set of debauched associations with the stuff in his memory. The dope scared him. It made him afraid. It wasn't that he was afraid of the dope, it was that smoking it made him afraid of everything else. It had long since stopped being a release or relief or fun. This last time, he would smoke the whole 200 grams—120 grams cleaned, destemmed — in four days, over an ounce a day, all in tight heavy economical one-hitters off a quality virgin bong, an incredible, insane amount per day, he'd make it a mission, treating it like a penance and behavior-modification regimen all at once, he'd smoke his way through thirty high-grade grams a day, starting the moment he woke up and used ice water to detach his tongue from the roof of his mouth and took an antacid — averaging out to 200 or 300 heavy bong-hits per day, an insane and deliberately unpleasant amount, and he'd make it a mission to smoke it continuously, even though if the marijuana was as good as the woman claimed he'd do five hits and then not want to take the trouble to load and one-hit any more for at least an hour. But he would force himself to do it anyway. He would smoke it all even if he didn't want it. Even if it started to make him dizzy and ill. He would use discipline and persistence and will and make the whole experience so unpleasant, so debased and debauched and unpleasant, that his behavior would be henceforward modified, he'd never even want to do it again because the memory of the insane four days to come would be so firmly, terribly emblazoned in his memory. He'd cure himself by excess. [...]

Ken Erdedy. so good

—p.22 by David Foster Wallace 6 years, 10 months ago

Showing results by David Foster Wallace only