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Showing results by Michael Ondaatje only

Sometimes when she is able to spend the night with him they are wakened by the three minarets of the city beginning their prayers before dawn. He walks with her through the indigo markets that lie between South Cairo and her home. The beautiful songs of faith enter the air like arrows, one minaret answering another, as if passing on a rumour of the two of them as they walk through the cold morning air, the smell of charcoal and hemp already making the air profound. Sinners in a holy city.

fuck i love this

—p.154 Katharine (147) by Michael Ondaatje 3 years, 6 months ago

He sweeps his arm across plates and glasses on a restaurant table so she might look up somewhere else in the city hearing this cause of noise. When he is without her. He, who has never felt alone in the miles of longitude between desert towns. A man in a desert can hold absence in his cupped hands knowing it is something that feeds him more than water. There is a plant he knows of near El Taj, whose heart, if one cuts it out, is replaced with a fluid containing herbal goodness. Every morning one can drink the liquid the amount of a missing heart. The plant continues to nourish for a year before it dies from some lack or other.

He lies in his room surrounded by the pale maps. He is without Katharine. His hunger wishes to burn down all social rules, all courtesy.

Her life with others no longer interests him. He wants only her stalking beauty, her theatre of expressions. He wants the minute and secret reflection between them, the depth of field minimal, their foreignness intimate like two pages of a closed book.

—p.154 Katharine (147) by Michael Ondaatje 3 years, 6 months ago

The minute she turns away from him in the lobby of Groppi’s bar after he greets her, he is insane. He knows the only way he can accept losing her is if he can continue to hold her or be held by her. If they can somehow nurse each other out of this. Not with a wall.

Sunlight pours into his Cairo room. His hand flabby over the Herodotus journal, all the tension in the rest of his body, so he writes words down wrong, the pen sprawling as if without spine. He can hardly write down the word sunlight. The words in love.

—p.156 Katharine (147) by Michael Ondaatje 3 years, 6 months ago

In the apartment there is light only from the river and the desert beyond it. It falls upon her neck her feet the vaccination scar he loves on her right arm. She sits on the bed hugging nakedness. He slides his open palm along the sweat of her shoulder. This is my shoulder, he thinks, not her husband’s, this is my shoulder. As lovers they have offered parts of their bodies to each other, like this. In this room on the periphery of the river.

In the few hours they have, the room has darkened to this pitch of light. Just river and desert light. Only when there is the rare shock of rain do they go towards the window and put their arms out, stretching, to bathe as much as they can of themselves in it. Shouts towards the brief downpour fill the streets.

fuck

—p.156 Katharine (147) by Michael Ondaatje 3 years, 6 months ago

They are in the botanical garden, near the Cathedral of All Saints. She sees one tear and leans forward and licks it, taking it into her mouth. As she has taken the blood from his hand when he cut himself cooking for her. Blood. Tear. He feels everything is missing from his body, feels he contains smoke. All that is alive is the knowledge of future desire and want. What he would say he cannot say to this woman whose openness is like a wound, whose youth is not mortal yet. He cannot alter what he loves most in her, her lack of compromise, where the romance of the poems she loves still sits with ease in the real world. Outside these qualities he knows there is no order in the world.

—p.157 Katharine (147) by Michael Ondaatje 3 years, 6 months ago

From this point on in our lives, she had whispered to him earlier, we will either find or lose our souls.

How does this happen? To fall in love and be disassembled.

I was in her arms. I had pushed the sleeve of her shirt up to the shoulder so I could see her vaccination scar. I love this, I said. This pale aureole on her arm. I see the instrument scratch and then punch the serum within her and then release itself, free of her skin, years ago, when she was nine years old, in a school gymnasium.

—p.158 Katharine (147) by Michael Ondaatje 3 years, 6 months ago

‘Madox, what is the name of that hollow at the base of a woman’s neck? At the front. Here. What is it, does it have an official name? That hollow about the size of an impress of your thumb?’

Madox watches me for a moment through the noon glare.

‘Pull yourself together,’ he mutters.

—p.162 A Buried Plane (159) by Michael Ondaatje 3 years, 6 months ago

He himself would have been happier to die in a cave, with its privacy, the swimmers caught in the rock around them. Bermann had told him that in Asian gardens you could look at rock and imagine water, you could gaze at a still pool and believe it had the hardness of rock. But she was a woman who had grown up within gardens, among moistness, with words like trellis and hedgehog. Her passion for the desert was temporary. She’d come to love its sternness because of him, wanting to understand his comfort in its solitude. She was always happier in rain, in bathrooms steaming with liquid air, in sleepy wetness, climbing back in from his window that rainy night in Cairo and putting on her clothes while still wet, in order to hold it all. Just as she loved family traditions and courteous ceremony and old memorized poems. She would have hated to die without a name. For her there was a line back to her ancestors that was tactile, whereas he had erased the path he had emerged from. He was amazed she had loved him in spite of such qualities of anonymity in himself.

—p.170 A Buried Plane (159) by Michael Ondaatje 3 years, 6 months ago

He suspected she had replaced him with another lover. He interpreted her every gesture to others as a code of promise. She gripped the front of Roundell’s jacket once in a lobby and shook it, laughing at him as he muttered something, and he followed the innocent government aide for two days to see if there was more between them. He did not trust her last endearments to him anymore. She was with him or against him. She was against him. He couldn’t stand even her tentative smiles at him. If she passed him a drink he would not drink it. If at a dinner she pointed to a bowl with a Nile lily floating in it he would not look at it. Just another fucking flower. She had a new group of intimates that excluded him and her husband. No one goes back to the husband. He knew that much about love and human nature.

He bought pale brown cigarette papers and glued them into sections of The Histories that recorded wars that were of no interest to him. He wrote down all her arguments against him. Glued into the book – giving himself only the voice of the watcher, the listener, the ‘he.’

argh

—p.172 A Buried Plane (159) by Michael Ondaatje 3 years, 6 months ago

She was on her back, positioned the way the mediaeval dead lie.

I approached her naked as I would have done in our South Cairo room, wanting to undress her, still wanting to love her.

What is terrible in what I did? Don’t we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it. You can make love to a woman with a broken arm, or a woman with fever. She once sucked blood from a cut on my hand as I had tasted and swallowed her menstrual blood. There are some European words you can never translate properly into another language. Félhomály. The dusk of graves. With the connotation of intimacy there between the dead and the living.

are you serious. i think i missed this the first time but ...

—p.170 A Buried Plane (159) by Michael Ondaatje 3 years, 6 months ago