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Showing results by Milan Kundera only

We can never know what to want, because living only one life, we can neither compare it with our previous lives nor perfect it in our lives to come . . . There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold.

first chapter quote

—p.15 by Milan Kundera 4 years, 8 months ago

[...] She always blushed in advance at the idea that she was going to blush. She often longed to feel free and easy about her body, the way most of the women around her did. She had even invented a special course in self-persuasion: she would repeat to herself that at birth every human being received one out of the millions of available bodies, as one would receive an allotted room out of the millions of rooms in an enormous hotel; that consequently the body was fortuitous and impersonal, only a ready-made, borrowed thing. She would repeat this to herself in different ways, but she could never manage to feel it. This mind-body dualism was alien to her. She was too much at one with her body; that is why she always felt such anxiety about it.

—p.171 THE HITCHHIKING GAME (170) by Milan Kundera 9 months, 1 week ago

She who was always uneasy in advance about her every next step, suddenly felt completely relaxed. The alien life in which she had become involved was a life without shame, without biographical specifications, without past or future, without obligations; it was a life that was extraordinarily free. The girl, as a hitchhiker, could do anything: Everything was permitted her; she could say, do, and feel whatever she liked.

She walked through the room and was aware that people were watching her from all the tables; it was also a new sensation, one she didn’t recognize: indecent joy caused by her body. Until now she had never been able to get rid of the fourteen-year-old girl within herself who was ashamed of her breasts and had the disagreeable feeling that she was indecent, because they stuck out from her body and were visible. Even though she was proud of being pretty and having a good figure, this feeling of pride was always immediately curtailed by shame; she rightly suspected that feminine beauty functioned above all as sexual provocation, and she found this distasteful; she longed for her body to relate only to the man she loved; when men stared at her breasts in the street it seemed to her that they were invading a piece of her most secret privacy that should belong only to herself and her lover. But now she was the hitchhiker, the woman without a destiny. In this role she was relieved of the tender bonds of her love and began to be intensely aware of her body; and her body became more aroused the more alien the eyes watching it.

—p.181 THE HITCHHIKING GAME (170) by Milan Kundera 9 months, 1 week ago

The conversation was proceeding to still greater enormities; it shocked the girl slightly, but she couldn’t protest. Even in a game there lurks a lack of freedom; even a game is a trap for the players. If this had not been a game and they had really been two strangers, the hitchhiker could long ago have taken offense and left; but there ’s no escape from a game. A team cannot flee before the end of the match, chess pieces cannot desert the chessboard, the boundaries of the playing field are impassable. The girl knew that she had to accept whatever form the game might take, just because it was a game. She knew that the more extreme the game became, the more it would be a game and the more obediently she would have to play it. And it was futile to evoke good sense and warn her dazed soul that she must keep her distance from the game and not take it seriously. Just because it was only a game her soul was not afraid, did not oppose the game, and sank deeper into it as if drugged.

—p.183 THE HITCHHIKING GAME (170) by Milan Kundera 9 months, 1 week ago

It was a narrow room with two beds, a small table, a chair, and a washbasin. The young man locked the door and turned to the girl. She was standing facing him in a defiant pose with insolent sensuality in her eyes. He looked at her and tried to discover behind her lascivious expression the familiar features that he loved tenderly. It was as if he were looking at two images through the same lens, at two images super-imposed one on the other with one showing through the other. These two images showing through each other were telling him that everything was in the girl, that her soul was terrifyingly amorphous, that it held faithfulness and unfaithfulness, treachery and innocence, flirtatiousness and chastity. This disorderly jumble seemed disgusting to him, like the variety to be found in a pile of garbage. Both images continued to show through each other, and the young man understood that the girl differed only on the surface from other women, but deep down was the same as they: full of all possible thoughts, feelings, and vices, which justified all his secret misgivings and fits of jealousy. The impression that certain outlines delineated her as an individual was only a delusion to which the other person, the one who was looking, was subject—namely himself.

—p.184 THE HITCHHIKING GAME (170) by Milan Kundera 9 months, 1 week ago

He had intercourse with her. She was glad that at least now finally the unfortunate game would end and they would again be the two people they had been before and would love each other. She wanted to press her mouth against his. But the young man pushed her head away and repeated that he only kissed women he loved. She burst into loud sobs. But she wasn’t even allowed to cry, because the young man’s furious passion gradually won over her body, which then silenced the complaint of her soul. On the bed there were soon two bodies in perfect harmony, two sensual bodies alien to each other. This was exactly what the girl had most dreaded all her life and had scrupulously avoided until now: lovemaking without emotion or love. She knew that she had crossed the forbidden boundary, but she proceeded across it without objections and as a full participant; only somewhere, far off in a corner of her consciousness, did she feel horror at the thought that she had never known such pleasure, never so much pleasure as at this moment—beyond that boundary.

i just like this phrasing, the idea of a forbidden boundary (the mechanics in SL are very different)

—p.187 THE HITCHHIKING GAME (170) by Milan Kundera 9 months, 1 week ago

The young man began to call compassion to his aid (he had to call it from afar, because it was nowhere near at hand), so as to be able to calm the girl. There were still thirteen days of vacation before them.

devastating ending

—p.188 THE HITCHHIKING GAME (170) by Milan Kundera 9 months, 1 week ago