Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

23

She came back with the pot and poured coffee for him and for the two men. Then she picked up a dish and turned to get some ice cream. She reached down into the container and with the dipper began to scoop up the ice cream. The white skirt yanked against her hips and crawled up her legs. What showed was girdle, and it was pink, thighs that were rumpled and gray and a little hairy, and veins that spread in a berserk display.

The two men sitting beside Earl exchanged looks. One of them raised his eyebrows. The other man grinned and kept looking at Doreen over his cup as she spooned chocolate syrup over the ice cream. When she began shaking the can of whipped cream, Earl got up, leaving his food, and headed for the door. He heard her call his name, but he kept going.

—p.23 They're Not Your Husband (22) by Raymond Carver 5 years ago

She came back with the pot and poured coffee for him and for the two men. Then she picked up a dish and turned to get some ice cream. She reached down into the container and with the dipper began to scoop up the ice cream. The white skirt yanked against her hips and crawled up her legs. What showed was girdle, and it was pink, thighs that were rumpled and gray and a little hairy, and veins that spread in a berserk display.

The two men sitting beside Earl exchanged looks. One of them raised his eyebrows. The other man grinned and kept looking at Doreen over his cup as she spooned chocolate syrup over the ice cream. When she began shaking the can of whipped cream, Earl got up, leaving his food, and headed for the door. He heard her call his name, but he kept going.

—p.23 They're Not Your Husband (22) by Raymond Carver 5 years ago
25

At home he had Doreen take off all her clothes and get on the scale. He frowned when he saw the veins. He ran his finger the length of one that sprouted up her thigh.

"What are you doing?" she asked.

"Nothing," he said.

He looked at the scale and wrote the figure down on a piece of paper.

—p.25 They're Not Your Husband (22) by Raymond Carver 5 years ago

At home he had Doreen take off all her clothes and get on the scale. He frowned when he saw the veins. He ran his finger the length of one that sprouted up her thigh.

"What are you doing?" she asked.

"Nothing," he said.

He looked at the scale and wrote the figure down on a piece of paper.

—p.25 They're Not Your Husband (22) by Raymond Carver 5 years ago
26

He read the classifieds. He went to the state employment office. Every three or four days he drove someplace for an interview, and at night he counted her tips. He smoothed out the dollar bills on the table and stacked the nickels, dimes, and quarters in piles of one dollar each. Each morning he put her on the scale.

In two weeks she had lost three and a half pounds.

"I pick," she said. "I starve myself all day, and then I pick at work. It adds up."

But a week later she had lost five pounds. The week after that, nine and a half pounds. Her clothes were loose on her. She had to cut into the rent money to buy a new uniform.

"People are saying things at work," she said.

"What kind of things?" Earl said.

"That I'm too pale, for one thing," she said. "That I don't look like myself. They're afraid I'm losing too much weight."

"What is wrong with losing?" he said. "Don't you pay any attention to them. Tell them to mind their own business. They're not your husband. You don't have to live with them."

"I have to work with them," Doreen said.

"That's right," Earl said. "But they're not your husband. "

so many themes to dissect here: him controlling her as a substitute for his lack of control in the labour market, workers' lack of power during this time in general, his role of "husband" really being an empty vessel for channeling the perceived judgment of other men ...

—p.26 They're Not Your Husband (22) by Raymond Carver 5 years ago

He read the classifieds. He went to the state employment office. Every three or four days he drove someplace for an interview, and at night he counted her tips. He smoothed out the dollar bills on the table and stacked the nickels, dimes, and quarters in piles of one dollar each. Each morning he put her on the scale.

In two weeks she had lost three and a half pounds.

"I pick," she said. "I starve myself all day, and then I pick at work. It adds up."

But a week later she had lost five pounds. The week after that, nine and a half pounds. Her clothes were loose on her. She had to cut into the rent money to buy a new uniform.

"People are saying things at work," she said.

"What kind of things?" Earl said.

"That I'm too pale, for one thing," she said. "That I don't look like myself. They're afraid I'm losing too much weight."

"What is wrong with losing?" he said. "Don't you pay any attention to them. Tell them to mind their own business. They're not your husband. You don't have to live with them."

"I have to work with them," Doreen said.

"That's right," Earl said. "But they're not your husband. "

so many themes to dissect here: him controlling her as a substitute for his lack of control in the labour market, workers' lack of power during this time in general, his role of "husband" really being an empty vessel for channeling the perceived judgment of other men ...

—p.26 They're Not Your Husband (22) by Raymond Carver 5 years ago
45

She stood in the doorway and turned the knob. She looked as if she wanted to say something else. She wore the white blouse, the wide black belt, and the black skirt. Sometimes she called it her outfit, sometimes her uniform. For as long as I could remember, it was always hanging in the closet or hanging on the clothesline or getting washed out by hand at night or being ironed in the kitchen

She worked Wednesdays through Sundays.

inspo maybe (pano)

—p.45 Nobody Said Anything (43) by Raymond Carver 5 years ago

She stood in the doorway and turned the knob. She looked as if she wanted to say something else. She wore the white blouse, the wide black belt, and the black skirt. Sometimes she called it her outfit, sometimes her uniform. For as long as I could remember, it was always hanging in the closet or hanging on the clothesline or getting washed out by hand at night or being ironed in the kitchen

She worked Wednesdays through Sundays.

inspo maybe (pano)

—p.45 Nobody Said Anything (43) by Raymond Carver 5 years ago
120

"Morning," I said, offering the letter.

He took it from me without a word and went absolutely pale. He tottered a minute and then started back for the house, holding the letter up to the light.

I called out, "She's no good, boy. I could tell that the minute I saw her. Why don't you forget her? Why don't you go to work and forget her? What have you got against work? It was work, day and night, work that gave me oblivion when I was in your shoes and there was a war on where I was ..."

—p.120 What Do You Do in San Francisco? (111) by Raymond Carver 5 years ago

"Morning," I said, offering the letter.

He took it from me without a word and went absolutely pale. He tottered a minute and then started back for the house, holding the letter up to the light.

I called out, "She's no good, boy. I could tell that the minute I saw her. Why don't you forget her? Why don't you go to work and forget her? What have you got against work? It was work, day and night, work that gave me oblivion when I was in your shoes and there was a war on where I was ..."

—p.120 What Do You Do in San Francisco? (111) by Raymond Carver 5 years ago
129

[...] She touched the ewdding band on her ring finger with her thumb. She turned onto her side and then onto her back again. And then she began to feel afraid, and in one unreasoning moment of longing she prayed to go to sleep.

Please, God, let me go to sleep.

She tried to sleep.

"Mike," she whispered.

There was no answer.

—p.129 The Student’s Wife (122) by Raymond Carver 5 years ago

[...] She touched the ewdding band on her ring finger with her thumb. She turned onto her side and then onto her back again. And then she began to feel afraid, and in one unreasoning moment of longing she prayed to go to sleep.

Please, God, let me go to sleep.

She tried to sleep.

"Mike," she whispered.

There was no answer.

—p.129 The Student’s Wife (122) by Raymond Carver 5 years ago
154

Now he was having an affair, for Christ's sake, and he didn't know what to do about it. He did not want it to go on, and he did not want to break it off: you don't throw everything overboard in a storm. Al was drifting, and he knew he was drifting, and where it was all going to end he could not guess at. But he was beginning to feel he was losing control over everything. Everything. Recently, too, he had caught himself thinking about old age after he'd been constipated a few days - an affliction he had always associated with the elderly. Then there was the matter of the tiny bald spot and of his having just begun to wonder how he would comb his hair in a different way. What was he going to do with his life? he wanted to know.

He was thirty-one.

something useful to remember: everybody worries about what they're going to do with their lives. it all ends the same way..

—p.154 Jerry and Molly and Sam (153) by Raymond Carver 5 years ago

Now he was having an affair, for Christ's sake, and he didn't know what to do about it. He did not want it to go on, and he did not want to break it off: you don't throw everything overboard in a storm. Al was drifting, and he knew he was drifting, and where it was all going to end he could not guess at. But he was beginning to feel he was losing control over everything. Everything. Recently, too, he had caught himself thinking about old age after he'd been constipated a few days - an affliction he had always associated with the elderly. Then there was the matter of the tiny bald spot and of his having just begun to wonder how he would comb his hair in a different way. What was he going to do with his life? he wanted to know.

He was thirty-one.

something useful to remember: everybody worries about what they're going to do with their lives. it all ends the same way..

—p.154 Jerry and Molly and Sam (153) by Raymond Carver 5 years ago
156

He ran his hand over his face, tried to put it all out of his mind for a minute. He took out a cold half quart of Lucky from the fridge and popped the aluminum top. His life had become a maze, one lie overlaid upon another until he was not sure he could untangle them if he had to.

—p.156 Jerry and Molly and Sam (153) by Raymond Carver 5 years ago

He ran his hand over his face, tried to put it all out of his mind for a minute. He took out a cold half quart of Lucky from the fridge and popped the aluminum top. His life had become a maze, one lie overlaid upon another until he was not sure he could untangle them if he had to.

—p.156 Jerry and Molly and Sam (153) by Raymond Carver 5 years ago
163

"Tell you, Jill," he said, "skating on thin ice. Crash through any minute ... I don't know." He stared at her with a fixed, puffy expression that he could feel but not correct. "Serious," he said.

and then she (his mistress) tries to squeeze his blackhead lol

—p.163 Jerry and Molly and Sam (153) by Raymond Carver 5 years ago

"Tell you, Jill," he said, "skating on thin ice. Crash through any minute ... I don't know." He stared at her with a fixed, puffy expression that he could feel but not correct. "Serious," he said.

and then she (his mistress) tries to squeeze his blackhead lol

—p.163 Jerry and Molly and Sam (153) by Raymond Carver 5 years ago
166

"Is everybody going crazy?" she said. "I don't know what's going to happen to us. I'm ready for a nervous breakdown. I'm ready to lose my mind. What's going to happen to the kids if I lose my mind?" She slumped against the draining board, her face crumpled, tears rolling off her cheeks. "You don't love them, anyway! You never have. It isn't the dog I'm worried about. It's us! It's us! I know you don't love me any more - goddamn you! - but you don't even love the kids!"

"Betty, Betty!" he said. "My God!" he said. "Everything's going to be all right. I promise you," he said. "Don't worry," he said. "I promise you, things'll be all right. I'll find the dog and then things will be all right," he said.

to think about: the repetition of "he said" in the second para? Why?

—p.166 Jerry and Molly and Sam (153) by Raymond Carver 5 years ago

"Is everybody going crazy?" she said. "I don't know what's going to happen to us. I'm ready for a nervous breakdown. I'm ready to lose my mind. What's going to happen to the kids if I lose my mind?" She slumped against the draining board, her face crumpled, tears rolling off her cheeks. "You don't love them, anyway! You never have. It isn't the dog I'm worried about. It's us! It's us! I know you don't love me any more - goddamn you! - but you don't even love the kids!"

"Betty, Betty!" he said. "My God!" he said. "Everything's going to be all right. I promise you," he said. "Don't worry," he said. "I promise you, things'll be all right. I'll find the dog and then things will be all right," he said.

to think about: the repetition of "he said" in the second para? Why?

—p.166 Jerry and Molly and Sam (153) by Raymond Carver 5 years ago