It is at this deconstructive point, this aporia of reading, that the critic finds himself addressing an audience which is and is not his equal

a more positive approbation of socially rooted criticism

criticism as deeply imbricated within moral and cultural experience as a whole

a frail memory or adumbration of some broader consensus

lapses into the apodicticism of Romantic poet or Victorian sage

grouped under the aegis of 'theory'

Deconstruction rescues the heterogeneity of the subject from its hypostatization, but only at the cost of liquidating the subjective agency

enraptured by a jouissance or mise-en-abyme which promises to shatter

a far more minatory shadow

political apostasy