(noun) the act of renouncing or rejecting something; self-denial
he seems, self-abnegatingly, to want to taste the sweat on the meat, as a salty political reminder.
on Orwell talking about chefs touching the steak being served to the patrons
he seems, self-abnegatingly, to want to taste the sweat on the meat, as a salty political reminder.
on Orwell talking about chefs touching the steak being served to the patrons
report or represent in outline; foreshadow or symbolize
he was greatly talented at describing closed worlds, and adumbrating their conventions
he was greatly talented at describing closed worlds, and adumbrating their conventions
(noun) the lower middle class including especially small shopkeepers and artisans
Orwell was suspicious of this indeterminate, petit bourgeois class, because it wanted to change itself first, and society second.
Orwell was suspicious of this indeterminate, petit bourgeois class, because it wanted to change itself first, and society second.
(verb) to wear off the skin of; abrade / (verb) to censure scathingly
Conservative readers excoriated what the radicals most liked
Conservative readers excoriated what the radicals most liked
(adjective) readily or continually undergoing chemical, physical, or biological change or breakdown; unstable / (adjective) readily open to change
his anxious self-deceptions and labile confessions seem modern
his anxious self-deceptions and labile confessions seem modern
(noun) the text of a work (as an opera) for the musical theater / (noun) the book containing a libretto (from Italian)
his melodramatic, libretto-like plots
his melodramatic, libretto-like plots
(noun) the use of a word to modify or govern two or more words usually in such a manner that it applies to each in a different sense or makes sense with only one (as in “opened the door and her heart to the homeless boy”)
The zeugma of 'families and shipwrecks in the newspaper' is marvellous.
The zeugma of 'families and shipwrecks in the newspaper' is marvellous.
(linguistics) the omission of a sound or syllable when speaking OR the act or an instance of omitting something
the usual manner in which contemporary criticism elides the question of authorial intention
the usual manner in which contemporary criticism elides the question of authorial intention
(noun) construction (as of a sculpture or a structure of ideas) achieved by using whatever comes to hand / (noun) something constructed in this way
if one takes postmodernism's proffered exit and happily turns the novels into fascinating melodramatic bricolage
if one takes postmodernism's proffered exit and happily turns the novels into fascinating melodramatic bricolage
imitation, especially imitative representation of the real world in art and literature
although they preserve such experience, they do so at a mimetic remove
although they preserve such experience, they do so at a mimetic remove