Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

(adjective) grotesque bizarre / characterized by clownish extravagance or absurdity / whimsically gay; frolicsome

2

a man possessed by the antic spirit of drumming

—p.2 The Fun Stuff: Homage to Keith Moon (1) by James Wood
notable
7 years, 4 months ago

a man possessed by the antic spirit of drumming

—p.2 The Fun Stuff: Homage to Keith Moon (1) by James Wood
notable
7 years, 4 months ago

(noun) the running over of a sentence from one verse or couplet into another so that closely related words fall in different lines

8

In poetry, this failure to stop at the end of the line, this challenge to metrical closure, this desire to get more in, is called enjambment.

—p.8 The Fun Stuff: Homage to Keith Moon (1) by James Wood
notable
7 years, 4 months ago

In poetry, this failure to stop at the end of the line, this challenge to metrical closure, this desire to get more in, is called enjambment.

—p.8 The Fun Stuff: Homage to Keith Moon (1) by James Wood
notable
7 years, 4 months ago

the quality of talking fluently, readily, or incessantly; talkativeness

16

Austerlitz is a voluble scholar

—p.16 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

Austerlitz is a voluble scholar

—p.16 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

make (something abstract) more concrete or real

21

The human seems to have been reified by time

—p.21 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

The human seems to have been reified by time

—p.21 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

calm, dependable, and showing little emotion or animation

22

As the stolid rugby players do not, these victims seem to be looking at us

—p.22 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

As the stolid rugby players do not, these victims seem to be looking at us

—p.22 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

(adjective) truthful veracious / (adjective) not illusory; genuine

23

undeniably accurate and veridical photographs of buildings

—p.23 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

undeniably accurate and veridical photographs of buildings

—p.23 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

causing vertigo, especially by being extremely high or steep

24

we experience a vertiginous relationship to a select number of photographs of humans

—p.24 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

we experience a vertiginous relationship to a select number of photographs of humans

—p.24 W. G. Sebald's Austerlitz (16) by James Wood
notable
7 years, 4 months ago

the theory and methodology of interpretation, especially the interpretation of biblical texts, wisdom literature, and philosophical texts

29

Ishiguro, as ever, is interested in far foggier hermeneutics

—p.29 Kazuo Ishiguro's Never Let Me Go (28) by James Wood
notable
7 years, 4 months ago

Ishiguro, as ever, is interested in far foggier hermeneutics

—p.29 Kazuo Ishiguro's Never Let Me Go (28) by James Wood
notable
7 years, 4 months ago

(noun) the belief that the world tends to improve and that humans can aid its betterment

39

Ray is a liberal meliorist

—p.39 Thinking: Norman Rush (37) by James Wood
notable
7 years, 4 months ago

Ray is a liberal meliorist

—p.39 Thinking: Norman Rush (37) by James Wood
notable
7 years, 4 months ago

a style of third-person narration which uses some of the characteristics of third-person along with the essence of first-person direct speech

42

a superb combination of free indirect style--the technical term for third-person narration that is so close to a character's thought that it resembles first-person monologue--and stream of consciousness

—p.42 Thinking: Norman Rush (37) by James Wood
notable
7 years, 4 months ago

a superb combination of free indirect style--the technical term for third-person narration that is so close to a character's thought that it resembles first-person monologue--and stream of consciousness

—p.42 Thinking: Norman Rush (37) by James Wood
notable
7 years, 4 months ago