Give me a map and I’ll build you a city. Give me a pencil and I will draw you a room in South Cairo, desert charts on the wall. Always the desert was among us. I could wake and raise my eyes to the map of old settlements along the Mediterranean coast – Gazala, Tobruk, Mersa Matruh – and south of that the hand-painted wadis, and surrounding those the shades of yellowness that we invaded, tried to lose ourselves in. [...]

In the street of imported parrots in Cairo one is hectored by almost articulate birds. The birds bark and whistle in rows, like a plumed avenue. I knew which tribe had travelled which silk or camel road carrying them in their petite palanquins across the deserts. Forty-day journeys, after the birds were caught by slaves or picked like flowers in equatorial gardens and then placed in bamboo cages to enter the river that is trade. They appeared like brides in a mediaeval courtship.

We stood among them. I was showing her a city that was new to her.

Her hand touched me at the wrist.

‘If I gave you my life, you would drop it. Wouldn’t you?’

I didn’t say anything.

The first time she dreamed of him she woke up beside her husband screaming.

[...]

She wouldn’t move. Wouldn’t lie back into that zone they had been in.

The dream had taken place in this room – his hand on her neck (she touched it now), his anger towards her that she had sensed the first few times she had met him. No, not anger, a lack of interest, irritation at a married woman being among them. They had been bent over like animals, and he had yoked her neck back so she had been unable to breathe within her arousal.

[...]

That had been the first recognition. She remembered it sometime during the next day, but she was busy then and she refused to nestle with its significance for long, dismissed it; it was an accidental collision on a crowded night, nothing more.

A year later the other, more dangerous, peaceful dreams came. And even within the first one of these she recalled the hands at her neck and waited for the mood of calmness between them to swerve to violence.

Who lays the crumbs of food that tempt you? Towards a person you never considered. A dream. Then later another series of dreams.

He said later it was propinquity. Propinquity in the desert. It does that here, he said. He loved the word – the propinquity of water, the propinquity of two or three bodies in a car driving the Sand Sea for six hours. Her sweating knee beside the gearbox of the truck, the knee swerving, rising with the bumps. In the desert you have time to look everywhere, to theorize on the choreography of all things around you.

When he talked like that she hated him, her eyes remaining polite, her mind wanting to slap him. She always had the desire to slap him, and she realized even that was sexual. For him all relationships fell into patterns. You fell into propinquity or distance. Just as, for him, the histories in Herodotus clarified all societies. He assumed he was experienced in the ways of the world he had essentially left years earlier, struggling ever since to explore a half-invented world of the desert.

Nothing can keep him from her.

When he is not in the desert with Madox or with Bermann in the Arab libraries, he meets her in Groppi Park – beside the heavily watered plum gardens. She is happiest here. She is a woman who misses moisture, who has always loved low green hedges and ferns. While for him this much greenery feels like a carnival.

From Groppi Park they arc out into the old city, South Cairo, markets where few Europeans go. In his rooms maps cover the walls. And in spite of his attempts at furnishing there is still a sense of base camp to his quarters.

They lie in each other’s arms, the pulse and shadow of the fan on them. All morning he and Bermann have worked in the archaeological museum placing Arabic texts and European histories beside each other in an attempt to recognize echo, coincidence, name changes – back past Herodotus to the Kitab al Kanuz, where Zerzura is named after the bathing woman in a desert caravan. And there too the slow blink of a fan’s shadow. And here too the intimate exchange and echo of childhood history, of scar, of manner of kiss.

A postcard. Neat handwriting fills the rectangle.

Half my days I cannot bear not to touch you. The rest of the time I feel it doesn’t matter if I ever see you again. It isn’t the morality, it is how much you can bear.

No date, no name attached.

He sweeps his arm across plates and glasses on a restaurant table so she might look up somewhere else in the city hearing this cause of noise. When he is without her. He, who has never felt alone in the miles of longitude between desert towns. A man in a desert can hold absence in his cupped hands knowing it is something that feeds him more than water. There is a plant he knows of near El Taj, whose heart, if one cuts it out, is replaced with a fluid containing herbal goodness. Every morning one can drink the liquid the amount of a missing heart. The plant continues to nourish for a year before it dies from some lack or other.

He lies in his room surrounded by the pale maps. He is without Katharine. His hunger wishes to burn down all social rules, all courtesy.

Her life with others no longer interests him. He wants only her stalking beauty, her theatre of expressions. He wants the minute and secret reflection between them, the depth of field minimal, their foreignness intimate like two pages of a closed book.

Sometimes when she is able to spend the night with him they are wakened by the three minarets of the city beginning their prayers before dawn. He walks with her through the indigo markets that lie between South Cairo and her home. The beautiful songs of faith enter the air like arrows, one minaret answering another, as if passing on a rumour of the two of them as they walk through the cold morning air, the smell of charcoal and hemp already making the air profound. Sinners in a holy city.

In the apartment there is light only from the river and the desert beyond it. It falls upon her neck her feet the vaccination scar he loves on her right arm. She sits on the bed hugging nakedness. He slides his open palm along the sweat of her shoulder. This is my shoulder, he thinks, not her husband’s, this is my shoulder. As lovers they have offered parts of their bodies to each other, like this. In this room on the periphery of the river.

In the few hours they have, the room has darkened to this pitch of light. Just river and desert light. Only when there is the rare shock of rain do they go towards the window and put their arms out, stretching, to bathe as much as they can of themselves in it. Shouts towards the brief downpour fill the streets.

The minute she turns away from him in the lobby of Groppi’s bar after he greets her, he is insane. He knows the only way he can accept losing her is if he can continue to hold her or be held by her. If they can somehow nurse each other out of this. Not with a wall.

Sunlight pours into his Cairo room. His hand flabby over the Herodotus journal, all the tension in the rest of his body, so he writes words down wrong, the pen sprawling as if without spine. He can hardly write down the word sunlight. The words in love.