The dream of radical transformation: of one day waking up and finding himself a wholly different (more confident, more serene) kind of person, of escaping that prison of the given, of feeling divinely capable.

"What is the reason you're so cold to me?" she said.

"There are reasons," Alfred said, "but I will not tell you."

"Why are you so unhappy? Why won't you tell me?"

"I will go to the grave before I tell you. To the grave."

"Oh, oh, oh!"

This was a bad husband she had landed, a bad, bad, bad husband who would never give her what she needed. Anything that might have satisfied her he found a reason to withhold.

Enid spoke first to her left-hand neighbor, Mr. Soderblad, a reassuringly ascoted and blue-blazered older Swede. "What's your impression of the ship so far?" she asked. "Is it really super authentic?"

"Well, it does seem to be floating," Mr. Soderblad said with a smile, "in spite of heavy seas."

Enid raised her voice to aid his comprehension. "I mean, is it AUTHENTICALLY SCANDINAVIAN?"

"Well, yes, of course," Mr. Soderblad said. "At the same time, everything in the world is more and more American, don't you think?"

"But you think this captures REALLY SUPER WELL," Enid said, "the flavor of a REAL SCANDINAVIAN SHIP?"

"Actually, it is better than most ships in Scandinavia. My wife and I are quite pleased so far."

Enid abandoned her inquiry unconvinced that Mr. Soderblad had grasped its import. It mattered to her that Europe be European. [...]

[...] "Folks," the tour guide urged, "just sit back and drink it in." But that which can be drunk can also drown. Enid had slept for six of the previous fifty-five hours, and even as Sylvia thanked her for inviting her along she found she had no energy for touring. The Astors and the Vanderbilts, their pleasure domes and money: she was sick of it. Sick of envying, sick of herself. She didn't understand antiques or architecture, she couldn't draw like Sylvia, she didn't read like Ted, she had few interests and no expertise. A capacity for love was the only true thing she'd ever had. And so she tuned out the tour guide and heeded the October angle of the yellow light, the heart-mangling intensities of the season. In the wind pushing waves across the bay she could smell night's approach. It was coming at her fast: mystery and pain and a strange yearning sense of possibility, as though heartbreak were a thing to be sought and moved toward. [...]

He was remembering the nights he'd sat upstairs with one or both of his boys or with his girl in the crook of his arm, their damp bath-smelling heads hard against his ribs as he read aloud to them from Black Beauty or The Chronicles of Namia. How his voice alone, its palpable resonance, had made them drowsy. These were evenings, and there were hundreds of them, maybe thousands, when nothing traumatic enough to leave a scar had befallen the nuclear unit. Evenings of plain vanilla closeness in his black leather chair; sweet evenings of doubt between the nights of bleak certainty. They came to him now, these forgotten counterexamples, because in the end, when you were falling into water, there was no solid thing to reach for but your children.

The year before Denise met Robin, Billy was released on parole and attended a ribbon-cutting ceremony for a Community Computing Center in the poor near-north neighborhood of Nicetown. One of the many policy coups of Mayor Goode's popular two-term successor was the commercial exploitation of the city's public schools. The mayor had shrewdly cast the deplorable neglect of the schools as a business opportunity ("Act Fast, Be Part of Our Message of Hope," his letters said), and the N——— Corporation had responded to his pitch by assuming responsibility for the city's severely underfunded school athletic programs. Now the mayor had midwifed a similar arrangement with the W——— Corporation, which was donating to the city of Philadelphia sufficient units of its famous Global Desktop to "empower" every classroom in the city, plus five Community Computing Centers in blighted northern and western neighborhoods. The agreement granted W— the exclusive right to employ for promotional and advertising purposes all classroom activities within the school district of Philadelphia, including but not limited to all Global Desktop applications. Critics of the mayor alternately denounced the "sellout" and complained that W—— was donating its slow and crashprone Version 4.0 Desktops to the schools and its nearly useless Version 3.2 technology to the Community Computing Centers. But the mood in Nicetown on that September afternoon was buoyant. The mayor and W—— ' s twenty-eight-year-old corporate-image vice president, Rick Flamburg, joined hands on big shears to cut ribbon. Local politicians of color said children and tomorrow. They said digital and democracy and history.

[...] The cerebral drain of running High Temp Products being minimal, Brian spent his executive afternoons noodling around with computer code and Fourier analysis, blasting on his presidential boom box certain cult California bands to which he was partial (Fibulator, Thinking Fellers Union, the Minutemen, the Nomatics), and writing a piece of software that in the fullness of time he quietly patented, quietly found a VC backer for, and one day, on the advice of this backer, quietly sold to the W— Corporation for $19,500,000.

Brian's product, called Eigenmelody, processed any piece of recorded music into an eigenvector that distilled the song's tonal and melodic essence into discrete, manipulable coordinates. An Eigenmelody user could select a favorite Moby song, and Eigenmelody would spectroanalyze her choice, search a recorded-music database for songs with similar eigenvectors, and produce a list of kindred sounds that the user might otherwise have never found: the Au Pairs, Laura Nyro, Thomas Mapfumo, Pokrovskys wailing version of Les Noces. Eigenmelody was parlor game, musicological tool, and record-sales- enhancer rolled into one. Brian had worked enough kinks out of it that the behemoth of W——, belatedly scrambling for a piece of the online music-distribution action, came running to him with a big wad of monopoly money in its outstretched hand.

She was naive enough, she told Denise, to think this ended the discussion. She had a good marriage, stably founded on childrearing, eating, and sex. It was true that she and Brian had different class backgrounds, but High Temp Products wasn't exactly E. I. Du Pont de Nemours, and Robin, holding degrees from two elite schools, wasn't your typical proletarian. Their few real differences came down to style, and these differences were mostly invisible to Robin, because Brian was a good husband and a nice guy and because, in her cow innocence, Robin couldn't imagine that style had anything to do with happiness. Her musical tastes ran to John Prine and Etta James, and so Brian played Prine and James at home and saved his Bartok and Defunkt and Flaming Lips and Mission of Burma for blasting on his boom box at High Temp. That Robin dressed like a grad student in white sneakers and a purple nylon shell and oversized round wireframes of a kind last worn by fashionable people in 1978 didn't altogether disappoint Brian, because he alone among men got to see her naked. That Robin was high-strung and had a penetrating screechy voice and a kookaburra laugh seemed, likewise, a small price to pay for a heart of gold and an eye-popping streak of lechery and a racing metabolism that kept her movie-actress thin. That Robin never shaved her armpits and too seldom washed her glasses—well, she was the mother of Brian's children, and as long as he could play his music and tinker with his tensors by himself, he didn't mind indulging in her the anti- style that liberal women of a certain age wore as a badge of feminist identity. This, at any rate, was how Denise imagined Brian had solved the problem of style until the money from W came rolling in.

(Denise, though only three years younger than Robin, could not conceive of wearing a purple nylon parka or failing to shave her armpits. She didn't even own white sneakers.)

It didn't occur to her that Don Armour was smiling in embarrassment at the obviousness of his play for her sympathies, the staleness of his pickup lines. It didn't occur to her that his performance at the pinochle table the day before had been staged for her benefit. It didn't occur to her that he'd guessed she was eavesdropping in the bathroom and had let himself be overheard. It didn't occur to her that Don Armour's fundamental mode was self-pity and that he might, in his self-pity, have hit on many girls before her. It didn't occur to her that he was already plotting—had been plotting since he first shook hands with her—how to get into her skirt. It didn't occur to her that he averted his eyes not simply because her beauty caused him pain but because Rule # 1 in every manual advertised at the back of men's magazines ("How to Make Her WILD for You—Every Time!") was Ignore Her. It didn't occur to her that the differences of class and circumstance that were causing her discomfort might be, for Don Armour, a provocation: that she might be an object he desired for its luxury, or that a fundamentally self-pitying man whose job was in jeopardy might take a variety of satisfactions in bedding the daughter of his boss's boss's boss. None of this occurred to Denise then or after. She was still feeling responsible ten years later.

What she was aware of, that afternoon, were the problems. That Don Armour wanted to put his hands on her but couldn't was a problem. That through an accident of birth she had everything while the man who wanted her had so much less—this lack of parity—was a big problem. Since she was the one who had everything, the problem was clearly hers to solve. But any word of reassurance she could give him, any gesture of solidarity she could imagine making, felt condescending.

Boys her own age wanted something, but they didn't seem to know exactly what. Boys her own age wanted approximately. Her function— the role she'd played on more than one lousy date—was to help them learn more specifically what they wanted, to unbutton her shirt and give them suggestions, to (as it were) flesh out their rather rudimentary ideas.

Don Armour wanted her minutely, inch by inch. She appeared to make brilliant sense to him. Simply possessing a body had never much helped her, but seeing it as a thing that she herself might want—imagining herself as Don Armour on her knees, desiring the various parts of herself—made her possession of it more forgivable. She had what the man expected to find. There was no anxiety to his location and appreciation of each feature.

When she unhooked her bra, Don bowed his head and shut his eyes.

"What is it?"

"A person could die of how beautiful you are."

This she liked, yes.

Her feeling when she took him in her hands was a preview of her feeling a few years later, as a young cook, when she handled her first truffles, her first foie gras, her first sacs of roe.