Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

135

He lay in bed open-eyed in the dark. There were intestinal moans from his left side, where gas makes a hairpin turn at the splenic flexure. He felt a mass of phlegm wobbling in his throat but he didn’t want to get out of bed to expel it, so he swallowed the whole nasty business, a slick syrupy glop. This was the texture of his life. If someone ever writes his true biography, it will be a chronicle of gas pains and skipped heartbeats, grinding teeth and dizzy spells and smothered breath, with detailed descriptions of Bill leaving his desk to walk to the bathroom and spit up mucus, and we see photographs of ellipsoid clots of cells, water, organic slimes, mineral salts and spotty nicotine. Or descriptions just as long and detailed of Bill staying where he is and swallowing. These were his choices, his days and nights. In the solitary life there was a tendency to collect moments that might otherwise blur into the rough jostle, the swing of a body through busy streets and rooms. He lived deeply in these cosmic-odd pauses. They clung to him. He was a sitting industry of farts and belches. This is what he did for a living, sit and hawk, mucus and flatus. He saw himself staring at the hair buried in his typewriter. He leaned above his oval tablets, hearing the grainy cut of the blade. In his sleeplessness he went down the batting order of the 1938 Cleveland Indians. This was the true man, awake with phantoms. He saw them take the field in all the roomy optimism of those old uniforms, the sun-bleached dinky mitts. The names of those ballplayers were his night prayer, his reverent petition to God, with wording that remained eternally the same. He walked down the hall to piss or spit. He stood by the window dreaming. This was the man he saw as himself. The biographer who didn’t examine these things (not that there would ever be a biographer) couldn’t begin to know the catchments, the odd-corner deeps of Bill’s true life.

—p.135 by Don DeLillo 9 months, 3 weeks ago

He lay in bed open-eyed in the dark. There were intestinal moans from his left side, where gas makes a hairpin turn at the splenic flexure. He felt a mass of phlegm wobbling in his throat but he didn’t want to get out of bed to expel it, so he swallowed the whole nasty business, a slick syrupy glop. This was the texture of his life. If someone ever writes his true biography, it will be a chronicle of gas pains and skipped heartbeats, grinding teeth and dizzy spells and smothered breath, with detailed descriptions of Bill leaving his desk to walk to the bathroom and spit up mucus, and we see photographs of ellipsoid clots of cells, water, organic slimes, mineral salts and spotty nicotine. Or descriptions just as long and detailed of Bill staying where he is and swallowing. These were his choices, his days and nights. In the solitary life there was a tendency to collect moments that might otherwise blur into the rough jostle, the swing of a body through busy streets and rooms. He lived deeply in these cosmic-odd pauses. They clung to him. He was a sitting industry of farts and belches. This is what he did for a living, sit and hawk, mucus and flatus. He saw himself staring at the hair buried in his typewriter. He leaned above his oval tablets, hearing the grainy cut of the blade. In his sleeplessness he went down the batting order of the 1938 Cleveland Indians. This was the true man, awake with phantoms. He saw them take the field in all the roomy optimism of those old uniforms, the sun-bleached dinky mitts. The names of those ballplayers were his night prayer, his reverent petition to God, with wording that remained eternally the same. He walked down the hall to piss or spit. He stood by the window dreaming. This was the man he saw as himself. The biographer who didn’t examine these things (not that there would ever be a biographer) couldn’t begin to know the catchments, the odd-corner deeps of Bill’s true life.

—p.135 by Don DeLillo 9 months, 3 weeks ago
139

Scott was still doing lists, moving toward late May now, making lists of things that needed doing, doing the things, going along project by project, room by room. Of course the lists of things were also things. An item on a list might generate a whole new list. He knew if he wasn’t careful he’d get mired in a theory of lists and lose sight of the things that needed doing. There was pleasure in lists, taut and clean. Making the list, crossing off the items as you complete the tasks. It was a small whole contentment, a way of working toward a new reality.

—p.139 by Don DeLillo 9 months, 3 weeks ago

Scott was still doing lists, moving toward late May now, making lists of things that needed doing, doing the things, going along project by project, room by room. Of course the lists of things were also things. An item on a list might generate a whole new list. He knew if he wasn’t careful he’d get mired in a theory of lists and lose sight of the things that needed doing. There was pleasure in lists, taut and clean. Making the list, crossing off the items as you complete the tasks. It was a small whole contentment, a way of working toward a new reality.

—p.139 by Don DeLillo 9 months, 3 weeks ago
145

She talked to the woman who lived in a plastic bag half a block from Brita’s building. This person knew some things about bundling and tying. Survival means you learn how to narrow the space you take up for fear of arousing antagonistic interest and it also means you hide what you own inside something else so that you may seem to possess one chief thing when it is really many things bundled and tied and placed inside each other, a secret universe of things, unwhisperable, plastic bags inside plastic bags, and the woman is somewhere in there too, bagged with her possessions. Karen talked to her about what she ate, did she have a hot meal ever, was there something she needed that I can get for you. Practical talk. The woman looked out at her, dark-eyed and sooty, barely ever responding, showing the soot that deepens into the face and becomes the texture of the person.

—p.145 by Don DeLillo 9 months, 3 weeks ago

She talked to the woman who lived in a plastic bag half a block from Brita’s building. This person knew some things about bundling and tying. Survival means you learn how to narrow the space you take up for fear of arousing antagonistic interest and it also means you hide what you own inside something else so that you may seem to possess one chief thing when it is really many things bundled and tied and placed inside each other, a secret universe of things, unwhisperable, plastic bags inside plastic bags, and the woman is somewhere in there too, bagged with her possessions. Karen talked to her about what she ate, did she have a hot meal ever, was there something she needed that I can get for you. Practical talk. The woman looked out at her, dark-eyed and sooty, barely ever responding, showing the soot that deepens into the face and becomes the texture of the person.

—p.145 by Don DeLillo 9 months, 3 weeks ago
147

“I really love Scott in most of the ways that count. God that sounds awful. Forget I said that. We just stopped talking the way we used to. We actually lacked the strength to talk to each other. We silently agreed we are going to let this get as bad as it can get and then see what happens. It was a question of willfully let it fester. All alone in Bill’s house. And these are two people who had a constant daily plan for getting things done. Who used to totally talk.”

—p.147 by Don DeLillo 9 months, 3 weeks ago

“I really love Scott in most of the ways that count. God that sounds awful. Forget I said that. We just stopped talking the way we used to. We actually lacked the strength to talk to each other. We silently agreed we are going to let this get as bad as it can get and then see what happens. It was a question of willfully let it fester. All alone in Bill’s house. And these are two people who had a constant daily plan for getting things done. Who used to totally talk.”

—p.147 by Don DeLillo 9 months, 3 weeks ago
157

“The way they live in the shadows, live willingly with death. The way they hate many of the things you hate. Their discipline and cunning. The coherence of their lives. The way they excite, they excite admiration. In societies reduced to blur and glut, terror is the only meaningful act. There’s too much everything, more things and messages and meanings than we can use in ten thousand lifetimes. Inertia-hysteria. Is history possible? Is anyone serious? Who do we take seriously? Only the lethal believer, the person who kills and dies for faith. Everything else is absorbed. The artist is absorbed, the madman in the street is absorbed and processed and incorporated. Give him a dollar, put him in a TV commercial. Only the terrorist stands outside. The culture hasn’t figured out how to assimilate him. It’s confusing when they kill the innocent. But this is precisely the language of being noticed, the only language the West understands. The way they determine how we see them. The way they dominate the rush of endless streaming images. I said in London, Bill. It’s the novelist who understands the secret life, the rage that underlies all obscurity and neglect. You’re half murderers, most of you.”

—p.157 by Don DeLillo 9 months, 3 weeks ago

“The way they live in the shadows, live willingly with death. The way they hate many of the things you hate. Their discipline and cunning. The coherence of their lives. The way they excite, they excite admiration. In societies reduced to blur and glut, terror is the only meaningful act. There’s too much everything, more things and messages and meanings than we can use in ten thousand lifetimes. Inertia-hysteria. Is history possible? Is anyone serious? Who do we take seriously? Only the lethal believer, the person who kills and dies for faith. Everything else is absorbed. The artist is absorbed, the madman in the street is absorbed and processed and incorporated. Give him a dollar, put him in a TV commercial. Only the terrorist stands outside. The culture hasn’t figured out how to assimilate him. It’s confusing when they kill the innocent. But this is precisely the language of being noticed, the only language the West understands. The way they determine how we see them. The way they dominate the rush of endless streaming images. I said in London, Bill. It’s the novelist who understands the secret life, the rage that underlies all obscurity and neglect. You’re half murderers, most of you.”

—p.157 by Don DeLillo 9 months, 3 weeks ago
184

Scott was doing reader mail. It was all over the attic, mail arrayed in slanted ranks on the desk and table, on the tops of file cabinets and bookshelves. He was structuring the mail by country. Once that was done he would put each country in chronological order so he might easily locate a letter sent from Belgium, say, in 1972. There was no practical reason why he’d ever want to find such a letter or any other piece of reader mail in particular. The point is that he would have it all in place. The house would make more sense in this alignment. And once he had all the other countries in place, he would do the United States. He would do it state by state, masses of letters through the decades. Most mail made Bill uneasy. It cut into his isolation and made him feel he was responsible for the soul of the sender. Scott laughed at this of course. About the only letters Bill looked at came from jerk-water towns and junctions, wide places in the road. He lingered over postmarks and return addresses. He liked to recite place names that carried the ghost music of remote terrain, hamlets that sat in a summer buzz under the Indian sky. He wanted to believe that only a few shy high-school kids or army recruits or piano teachers in small lost towns might truly see what was important in his work.

—p.184 by Don DeLillo 9 months, 3 weeks ago

Scott was doing reader mail. It was all over the attic, mail arrayed in slanted ranks on the desk and table, on the tops of file cabinets and bookshelves. He was structuring the mail by country. Once that was done he would put each country in chronological order so he might easily locate a letter sent from Belgium, say, in 1972. There was no practical reason why he’d ever want to find such a letter or any other piece of reader mail in particular. The point is that he would have it all in place. The house would make more sense in this alignment. And once he had all the other countries in place, he would do the United States. He would do it state by state, masses of letters through the decades. Most mail made Bill uneasy. It cut into his isolation and made him feel he was responsible for the soul of the sender. Scott laughed at this of course. About the only letters Bill looked at came from jerk-water towns and junctions, wide places in the road. He lingered over postmarks and return addresses. He liked to recite place names that carried the ghost music of remote terrain, hamlets that sat in a summer buzz under the Indian sky. He wanted to believe that only a few shy high-school kids or army recruits or piano teachers in small lost towns might truly see what was important in his work.

—p.184 by Don DeLillo 9 months, 3 weeks ago
198

In his room he noted down expenses on a pad. Then he looked at the pages he’d written and didn’t think he could do any more. It was too hard. It was harder than major surgery and it didn’t even keep you alive. He looked at a picture on the wall and saw everything that existed outside the room he was sitting in and the one he was trying to write about. It was a picture of fishing nets stowed in canvas baskets and it had sex, memories, cravings, names of old friends, principal rivers of the world. Writing was bad for the soul when you got right down to it. It protected your worst tendencies. Narrowed everything to failure and its devastations. Gave your cunning an edge of treachery and your jellyfish heart a reason to fall deeper into silence. He couldn’t remember why he wanted to write about the hostage. He’d done some pages he halfway liked but what was the actual point?

—p.198 by Don DeLillo 9 months, 3 weeks ago

In his room he noted down expenses on a pad. Then he looked at the pages he’d written and didn’t think he could do any more. It was too hard. It was harder than major surgery and it didn’t even keep you alive. He looked at a picture on the wall and saw everything that existed outside the room he was sitting in and the one he was trying to write about. It was a picture of fishing nets stowed in canvas baskets and it had sex, memories, cravings, names of old friends, principal rivers of the world. Writing was bad for the soul when you got right down to it. It protected your worst tendencies. Narrowed everything to failure and its devastations. Gave your cunning an edge of treachery and your jellyfish heart a reason to fall deeper into silence. He couldn’t remember why he wanted to write about the hostage. He’d done some pages he halfway liked but what was the actual point?

—p.198 by Don DeLillo 9 months, 3 weeks ago
200

He could have told George he was writing about the hostage to bring him back, to return a meaning that had been lost to the world when they locked him in that room. Maybe that was it. When you inflict punishment on someone who is not guilty, when you fill rooms with innocent victims, you begin to empty the world of meaning and erect a separate mental state, the mind consuming what’s outside itself, replacing real things with plots and fictions. One fiction taking the world narrowly into itself, the other fiction pushing out toward the social order, trying to unfold into it. He could have told George a writer creates a character as a way to reveal consciousness, increase the flow of meaning. This is how we reply to power and beat back our fear. By extending the pitch of consciousness and human possibility. This poet you’ve snatched. His detention drains the world of one more thimble of meaning. He should have said these things to that son of a bitch, although actually he liked George, but he’d never considered the matter in quite this way before and George would have said that terrorists do not have power and anyway Bill knew he’d forget the whole thing before much time went by.

—p.200 by Don DeLillo 9 months, 3 weeks ago

He could have told George he was writing about the hostage to bring him back, to return a meaning that had been lost to the world when they locked him in that room. Maybe that was it. When you inflict punishment on someone who is not guilty, when you fill rooms with innocent victims, you begin to empty the world of meaning and erect a separate mental state, the mind consuming what’s outside itself, replacing real things with plots and fictions. One fiction taking the world narrowly into itself, the other fiction pushing out toward the social order, trying to unfold into it. He could have told George a writer creates a character as a way to reveal consciousness, increase the flow of meaning. This is how we reply to power and beat back our fear. By extending the pitch of consciousness and human possibility. This poet you’ve snatched. His detention drains the world of one more thimble of meaning. He should have said these things to that son of a bitch, although actually he liked George, but he’d never considered the matter in quite this way before and George would have said that terrorists do not have power and anyway Bill knew he’d forget the whole thing before much time went by.

—p.200 by Don DeLillo 9 months, 3 weeks ago
213

“What about the holes in the boat? All repaired?”

A round of amusement here, the others sharing some joke without a word or glance.

“Don’t worry about the holes.”

“All repaired?” Bill said.

“The holes are well above the waterline.”

“We don’t speak about the holes,” another customer said.

“The holes are but details,” the clerk said.

—p.213 by Don DeLillo 9 months, 3 weeks ago

“What about the holes in the boat? All repaired?”

A round of amusement here, the others sharing some joke without a word or glance.

“Don’t worry about the holes.”

“All repaired?” Bill said.

“The holes are well above the waterline.”

“We don’t speak about the holes,” another customer said.

“The holes are but details,” the clerk said.

—p.213 by Don DeLillo 9 months, 3 weeks ago