Activity

Hedda takes every chance to act badly and to hurt others. Sometimes she does so with a languid pettiness and sometimes with malignant determination. By nature all ice and indifference, she accomplishes her delinquencies without a rush of agitation or beating emotion; and that is why it is hard to r…

The habit is to play Nora too lightly in the beginning and too heavily in the end. The person who has been charming in Acts 1 and 2 puts on a dowdy traveling suit in Act 3 and is suddenly standing before you as a spinster governess. If the play is to make sense, the woman who has decided to leave h…

The change from the girlish, charming wife to the radical, courageous heroine setting out alone has always been a perturbation. Part of the trouble is that we do not think, and actresses and directors do not think, the Nora of the first acts, the bright woman — with her children, her presents, her …

ELIZABETH HARDWICK is the only writer I have ever read whose perception of what it means to be a woman and a writer seems in every way authentic, revelatory, entirely original and yet acutely recognizable. She seems to have seen early on that the genteel provincial tradition of “lady” novelists and…

If he is entitled to be called “the conscience of his generation,” this is mainly because of his identification with the poor. He was not unique in tearing the mask off Stalinism, and his relentless pursuit of Stalinists in his own milieu occasionally seems to be a mere product of personal dislike.…