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The legacy of German Expressionism provided a more propitious framework for the development of a major debate within Marxism than its contemporary French counterpart, surrealism, was to do

it converts its own malediction into a theodicy

the adherents of a philosophy which has since degenerated into a mere ideological sport, fulminate in pre-1933 fashion against artistic distortion

When Brecht became a panegyrist of its harmony, his lyric voice had to swallow chalk, and it started to grate.

Aporia of this sort multiply until they affect the Brechtian tone itself, the very fibre of his poetic art