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Clouzot's Odette occupies a liminal space, trapped between the pure and perverse

[...] In Malle's black-and-white world, animated by the haunting strains of Erik Satie's score, Ronet's Alain Leroy is a lost cause, a narcissist with no hope of growing up. Malle claims,

It wasn't really the suicide that interested me, but how a man reflects on his youth and realizes, in the …

These interstices where Wallace scholarship can find something like the new voices we are being told it so desperately needs?